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NECESSARY LIES

A bleak tale tinged with humor, but sometimes bordering on caricature, of a poor, pregnant girl in the South. It is 1953, and pregnant 11th-grader Cliffie doesn't want to tell her father, who has a bad heart, and who will surely be angry since he has warned both her and her sister Mary Helen to stay away from the father, Roy Harris. What Cliffie knows about sex and men and being a teenager she has culled primarily from magazines: ``She learned that it was typical to be pouty. She fell in love with being typical, vowed she would always be. In love, too.'' Cliffie's blankness is useful, since her naive thoughts can sustain double entendres (``Sleeping with somebody tells a lot,'' she thinks at one point—referring to her sister, not her lover), but it also makes her a rather unconvincing character. She confides her predicament to the family's preacher, Brother Leroy, and when her father asks, ``Who messed you up, gal?'' she directs him to Brother Leroy, whom most of the townspeople soon suspect of being responsible. Daugharty (Going Through the Change, p. 790) infuses all of this with irony, but after a while she seems to be laughing at her characters rather than with them, as when Cliffie exacts revenge on the spiteful Mary Helen by wiping herself in the outhouse with the page from the Sears & Roebuck catalogue where her sister had marked a pair of black ballerina shoes she wanted. Mary Helen too has been messing around with Roy Harris and plans to leave town with him, but before either of the sisters can get her way, tragedy erupts. Although it relies on more than one clichÇ about the American South, the novel's ending is clever. It seems rushed, however, especially since it's the most interesting and active part of the book. Problematic, but perhaps a necessary stage in the development of an interesting young writer.

Pub Date: March 29, 1995

ISBN: 0-06-017177-4

Page Count: 176

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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