By the author of several smoke-and-mirror novels of metaphysical speculation (City of Gates, 1993, etc.) in which Time, human history, and the mystic binges of saints and outsize sinners collide, mix, and swirl off in further mystery. Here, a Roman general—with all the trappings of ancient Rome but savvy as to electricity, radio, and air support—is marooned with his garrison in a desert outpost and there confronts the edge of eternity. Octavius has his orders from the decaying empire's center at Tivoli: Hold the garrison against the Savages, or Blue Warriors, a foe never seen. Octavius is a careful commander who maintains polite relationships with the neighboring Bedouins, whose spare lives answer the demands of the desert and its vast uncertainties, while within the severe, evanescent world of the camp, human dramas play out: Captive women are brought in, with their children, as ``whores''; there are deserters and executions; and dissension racks the family of a dead Arab chief. During the seven years of his service, Octavius communicates with his beloved wife Livia—in letters, then a journal, then in his increasingly fevered mind. He walks through the tombs of dead leaders, hears their voices and the voices of his old tutors, one declaring that all questions have answers, the other that Octavius will be able to ``be alone with difficult questions.'' At last, shocked into a terrible wrong and prodded by difficult cosmic questions, Octavius treks into the desert, only to find a horror—indicating he's gone too far, asked too much. Again from Elliott come symbols barnacled with religious and philosophical reference: primal fish (like the ``sacred carp'' of City of Gates), for example, or women as whores/seeresses/earth- mothers. Octavius's epiphany is a shade sensational, but Elliott skillfully sustains an eerie cosmic unease in a setting where men and their maps are but figures in the sand.
Pub Date: June 15, 1995
ISBN: 0-340-61846-9
Page Count: 202
Publisher: Hodder & Stoughton/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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