Kaplan’s coverage of this broad-reaching topic is as deep and diverse as women’s abilities.
The former editor-in-chief of Parade magazine pays tribute to women who have contributed indispensable work in a variety of fields.
Near the beginning, Kaplan (The Gratitude Diaries: How a Year Looking on the Bright Side Can Transform Your Life, 2015, etc.) asks a pertinent question: “In our current era of assumedly aroused consciousness to gender issues, why do both men and women still assume that men’s contributions to society are the ones that really count?” The author does readers a service by spotlighting the achievements of many remarkable women. Wolfgang Amadeus Mozart and Felix Mendelssohn had sisters with equal or better talent, but while Fanny Mendelssohn was able to publish her work, Maria Anna Mozart achieved little recognition. In the sciences, the sins are more egregious. Female lab assistants have often conducted breakthrough research only to earn prizes for their professors or to discover the basis of world-changing science that enables another prizewinner. As she searches for characteristics of genius, the author lists a number of requirements. The first is to have acknowledgment, support, and encouragement from a parent or mentor. Being naturally smart (whatever that means) isn’t at the top of the list; tenacity and determination come before innate intelligence. How many women are out there who never understood their full capabilities because no one ever mentioned it? From science, technology, and math to literature, art, and psychology, Kaplan presents a diverse cast, including those geniuses still at work—e.g., Ruth Bader Ginsburg and Donna Strickland, who won the 2018 Nobel Prize in physics. Who is considered a genius depends on who sets the rules; throughout history, that has been men. Refreshingly, as the author points out, there are now countless groundbreaking women paving the way for future generations, who will see power differently and demand to be taken seriously. “Once we expect to see women’s genius on display,” she writes, “the lack of it seems wrong and inexplicable.”
Kaplan’s coverage of this broad-reaching topic is as deep and diverse as women’s abilities.Pub Date: Feb. 18, 2020
ISBN: 978-1-52-474421-2
Page Count: 336
Publisher: Dutton
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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