The Runaway Radish (who, spoiler alert, doesn't exactly make it out of the story intact) is entertainingly chaotic, and this...
Although markedly different in tone and style from most iPad storybook apps (though no less worthy), this English-and-Spanish tale of a food sculptor and a mischievous, fast-moving root vegetable is fun and has some features that make it worth multiple readings.
When Don Pedro tries to sculpt an elaborate scene, including a castle and knights, out of radishes, one of the veggies springs to life and runs for the hills. The ensuing chase, which eventually involves a donkey, a group of mariachi musicians, a chef and a street vendor is silly enough. But the reality-bending illustrations are appropriately over-the-top, and the giant radish's cry—"Places to go, people to see. / Out of my way, you can't carve ME!"—is catchy. In addition to the usual interactive features, including optional narration, a pop-up page index and mute-able background audio, it has two good options for younger readers. It can be read in English and Spanish and even includes bilingual flash cards for some of the words used in the story. But best of all, its "English learner" and "Spanish learner" options slow down the tempo of the narration, making it easier to follow along with the text. If there's a quibble with the app it's that the text's font itself is too small and doesn't serve the style of the art well. A matching game is included.
The Runaway Radish (who, spoiler alert, doesn't exactly make it out of the story intact) is entertainingly chaotic, and this “Gingerbread Man” variant is a good effort in both Spanish and English. (iPad storybook app. 3-8)Pub Date: March 19, 2011
ISBN: N/A
Page Count: -
Publisher: Siena Entertainment
Review Posted Online: March 28, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
BOOK REVIEW
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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