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EMMELINE GRANT AND THE MONSTROUS BEESH

An appealing young hero stars in a deliberately paced but ultimately engaging fantasy.

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In Williams’ middle-grade novel, a bright, resilient girl winds up alone and stranded in an otherworldly place.

Philadelphian Emmeline “Emmy” Grant dreams of one day sharing an adventure with her father, a naturalist and frequent traveler. The 13-year-old finally gets her chance when she and her governess set sail to the Falkland Islands, where Dr. Ethan Grant is already exploring. On the way, Emmy and the deckhand’s teenage son narrowly avoid an attack by pigeon-sized bees. None of the adults onboard witness this (or believe it happened), but they certainly don’t miss a subsequent, harrowing storm, during which Emmy is knocked unconscious. She awakens on a beach teeming with astonishing sights, including a scaly, winged fish flying overhead. Luckily, she’s not lost for long, as she runs into kindhearted tradesperson Binkey Wanoggin, who knows this land better than most other people. Pletonia is a peaceful island country whose inhabitants believe in a form of reincarnation; after a person dies, they assert, their body vanishes, but their spirit lives on in another body. Unfortunately, the aforementioned giant bees, which a local scholar dubs beesh, have apparently followed Emmy there, and their fatal stings give Pletonians the “final death.” Emmy soon heads towards the Pletonian capital, Monarchia, and hears of the country’s most-despised person, Valdrimos Pish, whom she suspects has something to do with the beesh. Although she yearns to make it back to her father, and to scour Pletonia for survivors, she also wants to know if she can somehow thwart the beesh—and wonders why Pish has seemingly targeted her.

The youthful protagonist of Williams’ tale makes a charming adventurer. She quickly adapts to her unusual circumstances and has a keen interest in learning about these new things surrounding her. Pletonia has a rich culture; its citizenry is made up of numerous clans, and each province has its own journey master, a noticeably lanky advisor who helps the clanspeople “with the journey through life.” The island country’s environment is no less fascinating, including such plant life as diamond-bark trees (with diamond patterns like a harlequin’s costume) and creatures that feel both uncanny and familiar; a catmaughmb, for instance, is essentially a multicolored, wispy-furred cat. There’s a lot for Emmy (and readers) to take in; as such, the novel has an unhurried pace and shows no real sense of urgency. Emmy begins on Gambion Island and stays at a local inn, and when she gets word that one of her sailing companions is in Monarchia, she only gradually makes her way there. Williams supplies myriad grayscale illustrations that are detailed and deftly shaded butalso resemble a child’s drawings. This is fitting, as Emmy always carries a sketchbook herself; in some cases, the artwork is exactly what the narrative describes her sketching, from plants and animals inside a greenhouse to colorful, assorted flowers. Although the final act offers some resolution, one notable character’s unknown fate will leave readers craving a sequel—and a return to Pletonia.

An appealing young hero stars in a deliberately paced but ultimately engaging fantasy.

Pub Date: Oct. 16, 2020

ISBN: 9780985587031

Page Count: 300

Publisher: N/A

Review Posted Online: Dec. 6, 2025

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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