An ambitious family drama skillfully explores the bonds of kinship and the yearning for peace and security.
Four generations of an Indian family struggle with displacement in this debut novel.
Artfully juggling the perspectives of 10 characters over the span of nearly a century, Oza follows the members of an ordinary family from India to Africa to Canada as they struggle to maintain their cultural traditions and solidarity amid an often hostile environment and changing social norms. Pirbhai, the patriarch, is lured to Africa as a 13-year-old in 1898, where he’s pressed into indentured servitude laying track for the British railway to Lake Victoria. His fateful decision to obey an order to set fire to a village the British wanted gone provides the novel’s title and looms over his descendants as a sort of original sin. After he moves from Kenya to Uganda, his family slowly climbs the economic ladder into the middle class until the moment in 1972 when the dictator Idi Amin orders the expulsion of all Asians. When Arun, an anti-government activist, disappears following his arrest, his wife, Latika, Pirbhai’s granddaughter, allied with her husband in the struggle against the repressive regime, chooses to remain behind rather than joining her parents, siblings, and her own infant son on their journey to Toronto and the beginning of a new life in yet another alien land. The family’s fears about her fate give birth to a secret that will reverberate in their lives decades later. Oza subtly observes the shift from practices like arranged marriages to unions that are the product of romantic attachments and trusts her readers to acclimate themselves. In intimate domestic scenes and scenes of societies in turmoil, she displays a sure-handed ability to write at both small and large scale and to portray with deep sympathy the universal human desire to find “a little place to simply exist, freely, and with dignity.”
An ambitious family drama skillfully explores the bonds of kinship and the yearning for peace and security.Pub Date: May 2, 2023
ISBN: 9781538724248
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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