Though it ends with a grace note as her mother and father sow their land with longleaf, in essence it’s an elegy for a...
Evocative observations about her return to the southern family farm in an attempt to gather fragments and make her life whole.
In 1997, after 17 years away, Ray (Ecology of a Cracker Childhood, 1999) came back to “my grandmother’s heart-pine house, amid tobacco fields and cow pastures in Spring Branch, a farming section in northern Appling County, Georgia.” She had with her a son and a lot of memories, not all of them good. Those many years before she had gladly left a family “proud, fervently religious, marred by lunacy, suspicious . . . doomed to isolation,” but she felt a tug of duty and an obligation to honor the place, land, kin, and history, a desire to experience the human spirit of an agrarian community. Ray finds both community and sense of place eroded and compromised: the woods have been clear-cut, the historic buildings in town bulldozed, the crossroads turned into four-lane highways to somewhere else, the local school closed. She also finds lasting beauty on the landscape, a steady local economy, and a cast of genuine country dwellers. With a casual lyricism, the author unravels the intricate and intriguing longleaf pine ecosystem, from the wiregrass that burns to keep the trees regenerating to the Chickasaw plums and tannin-wracked rivers, red-cockaded woodpecker and peach-colored clay. She lights a little more fire under her writing when it comes to human behavior, and not just in scorning the rapaciousness of the lumber companies, but in tribute to the old system of barter and obligation that still holds, promoting mutual beneficence, trust, and balance. With a fine quilter's hand, Ray weaves new stories (of music festivals, riverkeepers, referendums, her son moving north, her whole unusual family) into the rapidly diminishing store of old ones.
Though it ends with a grace note as her mother and father sow their land with longleaf, in essence it’s an elegy for a ravaged place without a needle to its compass.Pub Date: May 22, 2003
ISBN: 1-57131-272-2
Page Count: 288
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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