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THE GOOD, THE BAD, AND THE DUKE

A rake is redeemed and a spinster unspun in a sweet historical romance.

All a spinster wants for Christmas is a charming rake to call her own.

Paul Barstowe, the Duke of Southart, was a dissolute second son known for his disreputable behavior. The deaths of his father and elder brother days apart gave him the title and a new determination to change his ways. To start burnishing his reputation, he bids on a property where he hopes to establish a charity hospital, but temptation arrives in the form of heiress Lady Daphne Hallworth, the sister of Paul’s best friend–turned-enemy. Home Alone style, Daphne is abandoned in London by her family in their rush to depart for the Christmas holidays. She decides to get started investing her fortune and energies to found a charitable home for unwed mothers. Interest in the same property puts Paul and Daphne in close proximity, as does the loss of her reticule containing a journal in which she shared not only her family’s secrets, but some of her own, including a longing, since childhood, for the handsome Paul. Daphne’s trust in Paul to help her avoid scandal shocks him. As they become closer, “Something shifted within him. A crack opened up, allowing a want to crawl out from the depths of his soiled soul and emerge, shaking every manacle free.” MacGregor (The Luck of the Bride, 2018, etc.) weaves a compelling story redeeming Paul from rakish behavior depicted in previous installments of The Cavensham Heiresses. Paul works his way back into the good graces of his family and friends as Daphne discovers her independence and strength beyond the genteel, circumspect, and invisible good sister and good daughter she has always been. MacGregor’s prose is wordier and her plotting more leisurely than necessary, but Paul and Daphne are very appealing characters.

A rake is redeemed and a spinster unspun in a sweet historical romance.

Pub Date: Nov. 27, 2018

ISBN: 978-1-250-29597-2

Page Count: 368

Publisher: St. Martin's

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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