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I Never Met My Mother

A TRUE STORY DEDICATED TO EACH AND EVERY CHILD WHO WAS DEPRIVED OF LOVE, WHO WAS ABUSED OR SIMPLY IGNORED BY THEIR PARENTS - AND WHAT ONE CAN DO IN LIFE IN SPITE OF IT.

An intriguing but unevenly executed memoir.

Sosensky, in her debut memoir, describes her life in the Soviet Union between 1941 and 1974.

Truth, wrote Mark Twain, is stranger than fiction. It’s also often more interesting, as this memoir of Soviet life shows. Its author was born in Moscow in July 1941, just nine days after the Soviet Union entered World War II on the Allied side; she lost her mother to illness just three months later. With her father in combat, she was at first cared for by a woman in a village some 800 miles away. By age 5, however, she was living in an orphanage near her hometown; oddly enough, the orphanage became the source of her happiest memories. Eventually, her abusive father returned to claim her and his strictness made her life torture. At 14, she ran away from home to work at—and live in—a meatpacking plant, and that’s just the beginning of this woman’s extraordinary story. Her memoir is filled with details that will be familiar to readers with firsthand knowledge of Communist countries: her school days as a “pioneer”; the drab concrete apartment blocks; the rigid bureaucracy and endless shopping lines; and the lack of staples, such as toilet paper, that made contacts in the black market a necessity. Her request to emigrate to Vienna entailed enormous risk. The author also includes personal experiences, from her first kiss to a freak accident that put her in the hospital for months. Quite a lot happens here to engage readers, who will likely admire the author’s courage and determination. The prose style, however, doesn’t quite do it justice. The book doesn’t have a clear narrative arc; the chapters merely record event after chronological event, giving each roughly equal space and weight. Overall, the story has some forward momentum but little real sense of drama.

An intriguing but unevenly executed memoir.

Pub Date: May 16, 2013

ISBN: 978-1482516838

Page Count: 320

Publisher: CreateSpace

Review Posted Online: June 21, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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