by Janny Scott ‧ RELEASE DATE: April 16, 2019
A heartfelt and rich narrative tapestry.
A Pulitzer Prize–winning journalist explores her charming but mysterious father’s life and family history.
Jestingly called “the Duke of Villanova” by Scott (A Singular Woman: The Untold Story of Barack Obama’s Mother, 2011) and her family, Robert Scott grew up the heir to a “middling American fortune” built by the author’s grandfather. Yet Robert, who did not have access to the trusts that “went to the oldest generation,” insisted on spending money he earned—first as a lawyer then, later, as president of the Philadelphia Museum of Art—on maintaining a family mansion he did not own. Drawing on family letters and conversations, her father’s journals, and her own vivid memories, the author probes the secrets of her family. As Scott chronicles, Robert’s grandfather, who was reported to have died of illness during World War I, actually committed suicide out of fear of being publicly humiliated for “a bender involving a woman and booze.” Robert’s beautiful socialite mother, Helen, was the inspiration for the character Tracy Lord in The Philadelphia Story, and his literary-minded father, Edgar, consorted with members of the Algonquin Round Table before founding a Philadelphia stockbrokerage. But for all their glamour, Robert’s parents remained a sadly “intermittent presence” in the life of a son who would later say that he had been “raised by Irish cooks and maids.” Reading Robert’s journals—discovered nearly a decade after his death—the author discovered that her outwardly breezy father suffered a deep existential anguish that came out in his lifelong addiction to alcohol. The family story the author tells is fascinating for the painful personal legacies it uncovers. At the same time, it is also compelling for the parallels it draws between an earlier age of inequality and our own and the questions it raises about how contemporary stories of new-rich families “will play out, one hundred years hence.”
A heartfelt and rich narrative tapestry.Pub Date: April 16, 2019
ISBN: 978-1-59463-419-2
Page Count: 288
Publisher: Riverhead
Review Posted Online: Feb. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by Janny Scott
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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