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DEATH HITS THE FAN

California’s Kate Jasper, owner of Jest Gifts, which makes antic presents, in her ninth frenetic encounter with murder (A Cry for Self-Help, 1997, etc.). This time, the victim is Shayla Greenfree, writer of science-fiction mysteries, and the place is the Fictional Pleasures Bookstore, where proprietor Ivan Nakagawa has arranged a book signing for Shayla’s latest work. Among others present, besides Kate and her lover Wayne, now owner of a restaurant—art gallery, are: Ivan’s ill-tempered assistant Marcia Armeson; nonselling author Ted Brown; Shayla’s husband Scott Green and his lover, Dean Frazier; screechy writer Yvette Cassell with husband Lou; acupuncturist Phyllis Oberman, and artist Zoe Ingersoll. As all wait for Shayla to begin her talk—after she’s clasped on her wrist a bracelet left on the table in front of her—it’s soon apparent that the speaker-to-be is dead, poisoned by curare-tipped needles inside the bracelet. Kate, as usual, feels challenged to find the killer. This time, though, she’s matched in aggressive nosiness by Yvette. The possibly accidental death of Marcia Armeson will provide further excuse for more unproductive meetings of those at the signing; and torrents of inane chatter and a parade of unappetizing vegetarian menus ensue as Kate struggles to rid her house of unwanted guest Ingrid Regnary and a quartet of real-life skunks. Suspense and plot development are sacrificed to perpetual motion, cutesy chitchat, and a plethora of going-nowhere subplots. Busy but ultimately boring.

Pub Date: April 1, 1998

ISBN: 0-425-16148-X

Page Count: 288

Publisher: Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1998

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ONE DAY YOU'LL BURN

Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.

Hollywood detectives catch the strange case of a brutally burned body.

Detective Tully Jarsdel is a former academic, leading his partner, Morales, to call him Professor. When he fights his way through multiple news crews to reach a corpse one day, it's unlike any he’s ever seen. The body is twisted, partially ravaged, and burned so badly it’s unrecognizable. Jarsdel and Morales intensely question Dustin Sparks, the horror-movie special-effects expert who found the body. He eventually admits that he saw the body being dumped from a van, but his addiction to OxyContin makes him a compromised witness. While waiting for DNA results, Jarsdel and Morales watch missing persons reports closely. An odd red disk glued to the victim’s palm turns out to be a 1996 quarter painted red: the case’s first clue, albeit a murky one. DNA connects the victim to grizzled convict Lawrence Wolin, who identifies the man as his brother. The pieces of Grant Wolin’s life come together via interviews prompted by a search of his dirty apartment. He sold jars of “genuine Hollywood dirt” on the street, smoked marijuana occasionally, and was apparently asexual. A dinner scene at the home of Jarsdel’s scholarly parents provides insight into his psyche and his sense of isolation. Though he fits in with neither the gritty world of police work nor the ivory tower of academia, he has a passion for justice.

Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.

Pub Date: Feb. 4, 2020

ISBN: 978-1-4926-8444-2

Page Count: 336

Publisher: Poisoned Pen

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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FIREWATCHING

A good detective in an incendiary procedural.

A Yorkshire detective untangles an old murder and new arsons.

DS Adam Tyler, a cold-case investigator for the South Yorkshire Police, is a bit of a loner, but his boss wants him to network more so he lets Sally-Ann, one of his civilian colleagues, talk him into joining a pub evening with the South Yorkshire Police LGBT Support Network. He doesn't plan to stay long, and when he meets a handsome man at the bar—"Sweetheart, he was everyone's type. Even mine," Sally-Ann says—he abandons the group to go home with him. The next morning, when he gets to work, Sally-Ann tells him there's big news: The body of Gerald Cartwright, a local tycoon and shady character who disappeared years ago, has been found in the basement of his own house during a renovation ordered by his 21-year-old son, who'd just inherited it. Tyler manages to get himself assigned to the investigation though the detective who's been working on it since Cartwright's disappearance doesn't want to hand it over to cold cases; he soon discovers the identity of his one-night stand: Oscar Cartwright, son of the deceased and potential suspect, which further complicates his position. Meanwhile, Edna and Lily, elderly Cartwright retainers of various duties, have begun receiving unsettling anonymous letters, and the whole community is rattled by a series of arsons that seem more and more likely to be related to the discovery of Cartwright's body. As Tyler's investigation slowly uncovers a sordid history of manipulation and abuse, the violence increases and he is assaulted several times. The repetitive nature of these assaults is a weakness in the book, but the richness of Tyler's character and the vividness of his negotiation of his own sexuality and the casual bigotry in his community are effective. The subsidiary characters are lively and believable, the arsons are particularly well described, and though the plot sometimes seems gratuitously complex, this is a rewarding entertainment.

A good detective in an incendiary procedural.

Pub Date: Feb. 25, 2020

ISBN: 978-0-525-54202-5

Page Count: 368

Publisher: Putnam

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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