An unusually creative memoir of a bicultural life.
An “ordinary girl” rebels against her unstable life in Puerto Rico and Miami Beach until military service helps her gain a life-altering self-confidence.
Growing up in housing projects in Puerto Rico, Díaz (editor: 15 Views of Miami, 2014) tossed aside the blonde-haired Barbie dolls her elders gave her. “They always made me feel ugly, the brown kid who would never look like her white mother,” she writes in her inventive debut memoir. It didn’t help that her philandering father sold drugs, her mother showed alarming signs of her soon-to-be-diagnosed schizophrenia, and only her loving grandmother provided a stable presence in her life and those of her two siblings. Hoping for better, her father moved the family to Miami Beach when Díaz was in elementary school. But the money ran out, and the family was evicted repeatedly from shabby apartments. As “a closeted queer girl in a homophobic place,” the author couldn’t adjust, kept getting arrested, and ended up in Narcotics Anonymous and a juvenile detention center. Depressed and desperate to end the free fall, she dropped out of high school at 16, married at 17, and made a life-changing move at 18, enlisting in the U.S. Navy. As she aced military tests, her faith in herself grew and led eventually to a graduate degree and a literary career that has earned her two Pushcart Prizes. Using flashbacks, shifts in tense, and other novelistic devices, Díaz weaves impressionistic vignettes about Puerto Rican history and culture into her story, which begins when she watches an activist’s funeral procession in Puerto Rico in 1985 and ends after a recent visit to the island in the wake of Hurricane María. Along the way, she withholds key dates and other facts that would have made it easier to put some events in context. However, the literary bells and whistles give her story a broader interest than many memoirs that are more solipsistic. This book isn’t just about the author’s quest for self-determination; it’s also about Puerto Rico’s.
An unusually creative memoir of a bicultural life.Pub Date: Oct. 29, 2019
ISBN: 978-1-61620-913-1
Page Count: 336
Publisher: Algonquin
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Everything that, in time, made TR an irresistible force the curiosity and concentration, the energy, the ardor, the dramatic flair vitalizes this hugely detailed, over-long (700 pp), and rather florid account of his life up to the presidency. But Morris is also locked into his concept of Roosevelt's "rise," persistently seeing in the sickly, bookish, solitary boy and the lovelorn Harvard dandy the future leader of men. It's the colorful, charismatic personality we have here, then, largely minus the drifting, the despondency and self-doubt that afflicted him even after he "rose like a rocket" (in his own words) to leadership of the New York State Assembly at the precocious age of 23. But those who were there to see it or, later, to witness his exuberant embrace of the still-wild West, his crusade as New York City Police Commissioner to stamp out Sunday liquor sales, have provided Morris with great copy: the toothy grin lighting up a sodbuster's hut; the cheerful, chest-thumping retort to a German protest-marcher's "Wo is der Roosevelt?" "Hier bin ich!" Never mind that, in the latter instance, Morris keeps equally close tabs on his running feud with a fellow-commissioner; the detail pays off when Roosevelt, escaping to the wider fields of Washington, puts the Navy in position to strike at Spain in "three or four hours" as Acting Secretary to the consternation of his boss, innocently off seeing an osteopath. Nothing here is really new not the jingoism, the personal rush to arms that soon had Roosevelt second-in-command (and, of course, foremost) of the Rough Riders, the compromise with Boss Platt that enabled him to function as New York's Governor, the ambivalence about the Vice-Presidential nomination. And wherever Morris' interpretation differs from that of Henry Pringle, still Roosevelt's best biographer, his penchant for histrionics warps his judgment: "With fulfillment [atop San Juan Heights] came purgation. Bellicose poisons had been breeding in him since infancy. . . . But at last he had had his bloodletting. . . Theodore Roosevelt was at last, incongruously, a man of peace." The real lesson, willy-nilly, is in seeing the fun he had being a great, boyish nuisance.
Pub Date: March 30, 1979
ISBN: 0375756787
Page Count: 964
Publisher: Coward-McCann
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1979
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people...
One of the world’s cleverest comedy writers debuts with a frequently hilarious memoir.
Perhaps best known to mass audiences for her writing and performances on Saturday Night Live, Fey’s most inventive work is likely her writing for the critically acclaimed TV show 30 Rock, in which she stars alongside Alec Baldwin and fellow SNL alum Tracy Morgan. In typical self-deprecating style, the author traces her awkward childhood and adolescence, rise within the improv ranks of Second City and career on the sets of SNL and 30 Rock. The chapter titles—e.g., “The Windy City, Full of Meat,” “Peeing in Jars with Boys” and “There’s a Drunk Midget in My House”—provide hints at the author’s tone, but Fey is such a fluid writer, with her impeccable sense of comic timing extending to the printed page, that near-constant jokes and frequent sidebars won’t keep readers from breezing through the book with little trouble, laughing most of the way. Though she rarely breaks the onslaught of jokes (most at her own expense), she does offer an insightful section on the exhaustively analyzed concept of the “working mom,” which she finds tedious. (Even here, the author finds plenty of room for humor—not wanting to admit she uses a nanny, Fey writes, “I will henceforth refer to our nanny as our Coordinator of Toddlery.”) Fey may not sling a lot of dirt about her many famous co-stars in Second City, SNL and 30 Rock, but her thoughts on her geeky adolescence, the joys of motherhood and her rise to TV stardom are spot-on and nearly always elicit a hearty laugh. Even the jacket copy is amusing: “Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her.”
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people working today.Pub Date: April 5, 2011
ISBN: 978-0-316-05686-1
Page Count: 288
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: July 23, 2011
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