by Jared Beasley ‧ RELEASE DATE: Oct. 8, 2019
A quirky, captivating biography.
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An energetic work that chases the legend and captures the life story of premier Canadian extreme-distance runner Al Howie.
In an eccentric sport, Howie stood out. He would run hundreds or thousands of miles cross-country to the starting lines of multiday races—and then run to the next. Like a tour guide, Beasley (The Black Sheep, 2016) explores the cloistered world of extreme-distance running—involving races longer than standard 26.2-mile marathons—where Howie became an icon but never a household name. In 2014, the author found Howie, a silent shell of his former self, at a group home for the mentally ill. During the runner’s final two years, Beasley teased out recollections while tracking down documentary evidence and Howie’s friends and relatives, charting a path through memories and mythology. Howie, a native Scot, grew up in a hiking family and later enjoyed a hippie lifestyle before leaving his drug-addicted wife with their preschool-age son. He moved to Canada, where he was “on the run” long before his first race, which took place after he was 30. His stamina, flowing hair, and penchant for hydrating with beer defined him. In 1989, he became first to finish the 1,300-mile “Impossibility Race”—in 17 days, nine hours. In 1991, he ran 7,295 kilometers across Canada in 72 days, 10 hours—still the record—and two weeks later, broke his own 1,300-mile record. The book also reveals the relationships, personal demons, and twists of fate that shaped Howie, rendering the legend fully human—fearful and driven, flawed but likable. Beasley, an actor, director, and screenwriter, writes in a cinematic fashion, interspersing flashbacks between chapters with third-person snapshots of Howie’s signature trans-Canada run. He also seamlessly shifts focus from wide-angle settings to character close-ups, packs details into scenes without slowing the pace, and uses the colorful runners’ vernacular that christens a competitor a “manimal,” “alien,” or “freak.” Some may find the style hyperbolic, but they’d likely concede that if the author described a smoke-filled bar, they’d smell it. He achieves a fluid narrative that makes the pages fly by, like the miles beneath Howie’s feet.
A quirky, captivating biography.Pub Date: Oct. 8, 2019
ISBN: 978-1-77160-338-6
Page Count: 272
Publisher: Rocky Mountain Books
Review Posted Online: Sept. 16, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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