A visceral financial tale that lacks the bite of The Wolf of Wall Street.

All The Evil Of This World

A motley crew of Wall Street traders anticipates one of corporate America’s biggest spinoffs in this debut novel.

Long before the iPhone or other handheld devices, the Palm Pilot enjoyed its moment in the spotlight until its parent company, 3Com, sold it off in a disastrous move in 2000. This noteworthy event in recent Wall Street history anchors the book, whose primary action is driven by the back stories of seven traders: Clerk, W83, T22, Savage, New Girl, CN, and Weber. The story zooms in and out of each of these characters’ first-person narratives as they go about their lives with heady anticipation—or in some cases, ho-hum resignation—of what is to come. They all know that the Palm Pilot spinoff is kind of a huge deal, but as far as their work is concerned, it might just as well be another manic Monday. Clerk, a recent college graduate, would be on a path to self-discovery if only he weren’t so obsessed with sex. T22, the biggest broker on the floor, throws drug-fueled parties; CN watches his marriage fall apart while worrying about how to undercut his competition in the pit; and Savage, addicted to Diet Coke, works on his own schemes to hit on New Girl. Given that practically the entire novel is consumed by the seven characters’ stories, and that the goal here is to present the human side of Wall Street, it is unfortunate that not all of them come into distinct focus. A couple even start sounding like each other after a while. Working with a smaller cast might have allowed for more distinctive characters and also made room for story development, since the action builds to the Palm Pilot trade and then halts abruptly. In addition, the provocative novel’s crude language and frequent use of insider jargon can be off-putting. But those who crave a peek at how the sausage is made in America’s corridors of power may enjoy this wild, if bone-jarring, ride.

A visceral financial tale that lacks the bite of The Wolf of Wall Street.

Pub Date: June 21, 2016

ISBN: N/A

Page Count: 193

Publisher: 30 West 26th Street Press

Review Posted Online: May 6, 2016

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 10

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

WHERE THE CRAWDADS SING

A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.

“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-1909-0

Page Count: 384

Publisher: Putnam

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

Did you like this book?

more