by Jaroslav Pelikan ‧ RELEASE DATE: March 7, 2005
Engaging and informative for both Jews and Christians, as well as armchair scholars.
An accessible history of the Bible, enlivened by a commitment to open Jewish-Christian relations.
As Pelikan, a leading historian of Christianity, has done with sacred figures (Jesus Through the Centuries, 1985; Mary Through the Centuries, 1996), so he now treats sacred text. In this short, highly readable volume, he traces the history of the Bible, and of Bible-readers, from antiquity to the present. The chronology is familiar. We read about the translation of the Greek Septuagint and the Latin Vulgate, and the creation of the New Testament. We travel through the Enlightenment, dipping into Albert Schweitzer’s scholarly approach to Scripture, and Milton and Bach’s poetic and musical renderings of biblical texts. What distinguishes Pelikan’s approach is his raison d’être—revealingly, he writes in the preface that his career has been motivated in part by trying to respond to the Holocaust. His latest effort, then, is as much an essay on Jewish-Christian relations as it is a simple history of an important cultural artifact. He takes great pains to show the similarities between Jewish and Christian ways of reading Scripture, to show that Jews and Christians are worshipping the same God through different canons of sacred text. He suggests, for example, that the Talmud and the New Testament can be considered “alternate” interpretations and responses to the Torah, “so near to each other and yet so far from each other.” In the seventh chapter, “The Peoples of the Book,” readers first encounter Islam. Pelikan argues that the Qur’an is both very similar to and very different from the Jewish and Christian Bibles. Though the Qur’an is not properly Pelikan’s topic, readers may nonetheless wish for more than a tantalizing four pages thereon. The whole would also have benefited from a lengthier treatment of the Bible in America—perhaps a discussion of the myriad niche Bibles available at every bookstore, or of the biblical paraphrases popular for the last 25 years.
Engaging and informative for both Jews and Christians, as well as armchair scholars.Pub Date: March 7, 2005
ISBN: 0-670-03385-5
Page Count: 274
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
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A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus and Maria Casarès ; translated by Sandra Smith and Cory Stockwell
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by Albert Camus ; translated by Ryan Bloom
BOOK REVIEW
by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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