A love story—romantic and familial—that is a must-read.
Avery and her parents move to her mom’s hometown to care for her ailing grandma.
Lately 17-year-old Avery feels like she needs a change of scenery, a break from Washington, D.C., and her singular focus on early admittance to Georgetown. When Avery’s mom, Zora, learns her mother is dying from cancer, she decides to move back home. After more than a decade away, Zora is not wholeheartedly embraced by Mama Letty. As a queer, biracial teen—Avery’s mom is Black, and her dad is White—Avery’s welcome in rural Bardell County, Georgia, population 9,127, is just as cold. Avery tries to understand what caused the rift between her mom and Mama Letty and what happened to her grandfather, but both women are reluctant to share. Avery befriends the pretty Black girl next door and the rich White girl whose family runs everything, and she discovers Bardell County is full of buried secrets. As in most small towns, everything and everyone is connected, and debut author Hammonds skillfully unpeels each layer of intrigue, keeping readers engaged until the last page. The tension between Mama Letty and Zora is complex and deep-seated, and the generational trauma revealed throughout is beautifully explored. Hammonds seamlessly weaves together mystery, romance, and a town’s racist history, crafting a gripping and emotional story.
A love story—romantic and familial—that is a must-read. (Fiction. 14-18)Pub Date: Nov. 29, 2022
ISBN: 978-1-250-81655-9
Page Count: 384
Publisher: Roaring Brook Press
Review Posted Online: Aug. 2, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
PROFILES
PERSPECTIVES
PERSPECTIVES
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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