Poetic, immersive, hopeful.

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A story about war and displacement, resilience and adjustment.

Warga portrays with extraordinary talent the transformation of a family’s life before and after the war began in Syria. Living in a tourist town on the Syrian coastline, Jude experiences the inequalities in her society firsthand. With the unfolding of the Arab Spring, her older brother, Issa, wants to join protests against the Syrian regime. The parents are in favor of staying out of it, but with news of a new baby and nearby towns turning into battlegrounds, Jude and her mother travel to join her uncle, a medical doctor, and his family in the American Midwest. Her free-verse narration cuts straight to the bone: “Back home, / food was / rice / lamb / fish / hummus / pita bread / olives / feta cheese / za’atar with olive oil. / Here, / that food is / Middle Eastern Food. / Baguettes are French food. / Spaghetti is Italian food. / Pizza is both American and Italian, / depending on which restaurant you go to.” Jude, who has always loved American movies, shares her observations—often with humor—as she soaks everything in and learns this new culture. Only when she starts feeling comfortable with having two homes, one in Syria and one in the U.S., does a terrible incident make her confront the difficult realities of being Muslim and Arab in the U.S.

Poetic, immersive, hopeful. (Historical verse fiction. 11-adult)

Pub Date: May 28, 2019

ISBN: 978-0-06-274780-8

Page Count: 352

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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Not for the faint of heart or stomach (or maybe of any parts) but sure to be appreciated by middle school zombie cognoscenti.

ZOMBIE BASEBALL BEATDOWN

Upton Sinclair’s The Jungle meets Left for Dead/The Walking Dead/Shaun of the Dead in a high-energy, high-humor look at the zombie apocalypse, complete with baseball (rather than cricket) bats.

The wholesome-seeming Iowa cornfields are a perfect setting for the emergence of ghastly anomalies: flesh-eating cows and baseball-coach zombies. The narrator hero, Rabi (for Rabindranath), and his youth baseball teammates and friends, Miguel and Joe, discover by chance that all is not well with their small town’s principal industry: the Milrow corporation’s giant feedlot and meat-production and -packing facility. The ponds of cow poo and crammed quarters for the animals are described in gaggingly smelly detail, and the bone-breaking, bloody, flesh-smashing encounters with the zombies have a high gross-out factor. The zombie cows and zombie humans who emerge from the muck are apparently a product of the food supply gone cuckoo in service of big-money profits with little concern for the end result. It’s up to Rabi and his pals to try to prove what’s going on—and to survive the corporation’s efforts to silence them. Much as Bacigalupi’s Ship Breaker (2010) was a clarion call to action against climate change, here’s a signal alert to young teens to think about what they eat, while the considerable appeal of the characters and plot defies any preachiness.

Not for the faint of heart or stomach (or maybe of any parts) but sure to be appreciated by middle school zombie cognoscenti. (Fiction. 11-14)

Pub Date: Sept. 10, 2013

ISBN: 978-0-316-22078-1

Page Count: 304

Publisher: Little, Brown

Review Posted Online: June 26, 2013

Kirkus Reviews Issue: July 15, 2013

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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