by Jason Akley ‧ RELEASE DATE: April 28, 2011
Not nearly as romantic as its Casablanca namesake, Akley’s eponymous St. Louis dive bar is a sousing place for poignant...
The lives of three barflies intertwine in Akley’s (Crossroads from Damascus, 2011, etc.) latest novel.
Not nearly as romantic as its Casablanca namesake, Akley’s eponymous St. Louis dive bar is a sousing place for poignant losers with vague, purposeless anecdotes to tell. Among the regulars are Angela, a bartender whose heart was broken by her lover’s suicide; Jim, a man who suffered brain damage when he crashed his car after a girlfriend slipped him a dose of Percocet; and Sam, a struggling writer whose troubled life—marital problems, suicide attempts—forms the central thread in a tangle of intersecting character sketches. Framed by a bar-back mirror that comments on the people reflected in it, the storyline drifts among the interchangeable first-person broodings of the characters, gradually filling in details of their lives and snagging occasionally on desultory conversations and japes. Sprinkled in are some of Sam’s writings, including lyric poems—“bird flower come home! / and rest inside the holes / of my wood”—and a children’s story, as well as a random news article about homelessness in post-Katrina New Orleans. It’s hard to tell what is happening to whom in this braided, rambling picaresque, but that hardly matters since the uninvolving narrative mainly serves as a peg on which to hang hazy, abstract reflections on the meaning of life, a single paragraph of which can go on for 16 pages. Akley has a good feel for bar-room atmospherics and dialogue, but, unfortunately, the unfocused booziness spills over into his authorial voice. His stammering, sentimental pensées—“What you do doesn’t matter, and your reaction to this becomes either one of hope or despair, hope or despair in what happens after, after your life and what you’ve done with it”—go on endlessly; reading them feels like being trapped with a long-winded tavern philosopher.Pub Date: April 28, 2011
ISBN: 978-1432774080
Page Count: 364
Publisher: Outskirts
Review Posted Online: Jan. 3, 2012
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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