A tale with a realistic legal backdrop that spotlights the engrossing trials of a contentious mother-and-son relationship.
Caught in a sexually compromising position with one of her Mafioso clients, a bulldog attorney must call on her long-estranged, up-and-coming lawyer son to defend her at an ethics hearing in this debut novel.
Rising in the male-dominated legal world of Atlanta in the 1970s, Carter Scales earned her moniker of the “Dragon Lady” by being a force of nature in the courtroom and a stone wall against the constant misogyny she faced while defending some of the most notorious members of organized crime. This reputation follows her and her practice into the present day, but in a moment of emotional weakness, she jeopardizes it all and is caught performing oral sex on the head of the Salucci crime family in prison. Her one hope is her son, Benjamin, who struggled under her domineering influence and his own emotional immaturity yet still became a remarkably savvy and successful defense attorney himself. His contentious upbringing and deep familiarity with his mother’s history, from her divorce to the constant sexism she faced and the death of a judge she and her son wanted as part of their family, could save her career, though Ben’s interest is in getting something from Carter he’s never had before—an apology. Despite initial impressions, Sheffield’s book (inspired by real events) is no legal thriller, though the author does call on his own extensive background with the law to give readers a firsthand understanding of the wheeling, dealing, and grappling that go on among attorneys, clients, and judges. Instead of trading in empty suspense or surprise witnesses, the novel focuses on the dynamics between mother and son, the demands the former makes for her sacrifices and how the latter internalizes them, both blaming himself for what was missed and spiting her for putting her work over his happiness. As narrator, Ben is a joy, intolerably immature but well-balanced by his self-awareness and sense of humor, though it is, at times, a little odd how specific his knowledge of some of his mother’s more intimate moments is. The interactions between Ben and Carter, particularly their fights, are the novel’s strongest moments, so plausibly navigating between the hilarious and the heartbreaking in their arguments that their eventual détente feels truly hard-won.
A tale with a realistic legal backdrop that spotlights the engrossing trials of a contentious mother-and-son relationship.Pub Date: July 10, 2017
ISBN: 978-1-9998366-1-0
Page Count: 394
Publisher: Michael Terence Publishing
Review Posted Online: Oct. 3, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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