A moving queer tapestry honoring a beleaguered movement’s legacy through art, veneration, and gravitas.

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LOVE AND RESISTANCE

OUT OF THE CLOSET INTO THE STONEWALL ERA

A pictorial time capsule from the pivotal days of a budding gay rights movement.

Baumann, coordinator of the New York Public Library’s LGBT Initiative, presents a dramatic collection of images, drawn from the career archives of photo-documentarians Lahusen and Davies, charting the rise of grassroots gay activism from the mid-1960s to the mid-'70s. It was a time when LGBT activists took to the streets of New York, Washington, D.C., Philadelphia, and New Jersey to creatively and defiantly demonstrate against intolerance and inequality and whose “vision and courage changed our world.” Lahusen was active in early lesbian solidarity organizations while Davies was best known for chronicling the feminist, peace, and social justice activism movements of the era. Their photographs, accompanied by Baumann’s commentary and descriptions, represent separate perspectives within a unified theme of LGBT equality throughout each of the book’s four sections. “Visibility” displays images of a wide variety of gays and lesbians in the primes of their careers and endeavors; “Love” celebrates the power of community and affection in the face of societal hate; “Pride” memorializes the sacred queer spaces where activism, collaboration, and solidarity flourished; and “Protest” demarcates the demonstrations and rebellion against rampant gay oppression. Iconic activists like Marsha P. Johnson, Sylvia Rivera, Barbara Gittings, and Ernestine Eckstein share space with gay writers, artists, performers, and media founders. Haunting and arresting, the photos illustrate a historic American era when same-sex affection was forbidden in public and considered both a mental illness and an atrocity. A literary celebration commemorating the 50-year anniversary of the epic Stonewall riots, the book is elegiac yet also provides a reflective and hopeful reminder for future generations that change and promise can arise from struggle and sacrifice. Though the book is a reflection of a different age and struggle, it is also timely given that LGBT freedoms remain ever endangered within the current political climate.

A moving queer tapestry honoring a beleaguered movement’s legacy through art, veneration, and gravitas.

Pub Date: March 5, 2019

ISBN: 978-1-324-00206-2

Page Count: 192

Publisher: Norton

Review Posted Online: Dec. 9, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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