by Jason Burke ‧ RELEASE DATE: May 1, 2007
A book of journeys at once personal and universal.
A literate travelogue through troubled lands where the clash of civilizations is resounding loudly—and ever louder.
British journalist Burke (Al-Qaeda, 2004) logged time in Iraq in the 1990s as a soldier in the cause of Kurdish liberation. The experience gave him a distaste for carrying a gun, but not for traveling through parts of the Muslim world where bullets fly. The often violent travel reports he collects here range from Thailand to Tajikistan to Gaza to Algeria. In the last, he writes, homegrown Islamists recently mounted a failed rebellion. Burke favors the middle ground, and in Algeria, the ordinary people occupying it brushed the fundamentalists and their revolt aside: “It was their eventual disgust for the militants that had ended it.” Just so, Burke, reporting from Iraq, expresses the hope that even though they are hard-pressed on all sides, ordinary Iraqis will find a way to quell extremism and eventually live in peace, even though peace there is quite obviously far away. Burke allows that when the American invasion loomed in 2002, he “felt it was the right war for the wrong reasons, and at totally the wrong time.” Sure that it would reveal truths about modern Islam, however, he packed his notebook and went to Iraq; his accounts from both sides of the battle lines are the best parts here. The U.S. Marines he depicts are as much scared kids as stone killers, while the Iraqi civilians caught in the crossfire serve to support his view that there are many kinds of Islam, few capable of being distilled in black-and-white terms. Says one old man at the Battle of Najaf, for instance, when instructed that the Jews are the enemy: “There aren’t any Jews here and anyway a good, honest Jew is better than a bad Muslim.”
A book of journeys at once personal and universal.Pub Date: May 1, 2007
ISBN: 0-312-36622-1
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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