A psychological novel that takes readers inside the mind of a serial killer.
Helford’s debut opens with a seemingly innocuous scene: A real estate agent shows a young couple a house they’re considering buying. Suddenly, the wife imagines horrific scenes of bloodshed in the house and begins screaming. Unbeknownst to the real estate agent, the house has a dark history: It was once home to a serial killer. The author then opens the narrative up, bringing readers into the mind of that killer, John, a nervous, punctilious man preparing to go “shopping”—not for groceries but for victims he calls “epiphanies.” Helford explores the weird logic of John’s psyche in a series of carefully controlled chapters enlivened by baroque, engaging prose (“A dark calm void filled the confusion, filled the sadness, filled John to the brim, while pushing aside his chaotic thoughts to the edges of the darkness, and John followed”). On the outside, John is calm, collected and sometimes even sarcastic; he smiles as he tells one prospective victim, “You know that in some tribal cultures, a smile is actually a warning of incipient violence.” But on the inside, he’s tortured by grotesque visions that drive him to kidnap women and savagely murder them. This internal narrative is so vivid and disjointed that readers will likely find John both fascinating and repulsive as he stews with “impotent rage at the wrong done to him” yet experiences neither remorse nor compassion. As the pace increases, the focus splits between John and a team of police investigators trying to capitalize on his few mistakes in order to catch him. The technical, procedural aspects of these sections are just as well-written and convincing as John’s surreal, violent inner monologues. The book significantly increases the gore and violence in its second half, as John’s inner demons urge him to greater violence (and seem to take on lives of their own). Fans of Thomas Harris’ The Silence of the Lambs and Shane Stevens’ By Reason of Insanity may find a new favorite author here.
A violent, disturbing thriller.Pub Date: July 29, 2013
ISBN: N/A
Page Count: 242
Publisher: Amazon Digital Services
Review Posted Online: Nov. 20, 2013
Review Program: Kirkus Indie
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BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: GENERAL ROMANCE | ROMANCE | CONTEMPORARY ROMANCE
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SEEN & HEARD
SEEN & HEARD
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
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