There are plenty of stock characters here, but a literary flair lifts this above the routine procedural.
There appears to be no escape from the voracious appetite of this dead-end Rust Belt town, where the deserted mill symbolizes how little hope remains.
The Lodi, Ohio, of this debut novel offers nothing to do, nowhere to go, and few prospects for anything better. In setting at least, hard-boiled crime fiction doesn’t come much harder boiled than this. Kids get in trouble, because what else is there to do? The good cops try to battle the disillusionment that has corroded the ideals of the bad cops. There are two seemingly distinct plotlines that must inevitably intersect. Stefani Rieux is one of the best and most decorated cops in Ohio, though she has combated the casual and relentless sexism of her colleagues throughout her career. Her partner, Harry Mulqueen, has her back and her trust. They also might be in love with each other, though neither is ready to admit it, perhaps partially because she is engaged to Harry’s slightly wealthier and more ambitious brother. They get called to the mill to investigate a disturbance, which involves kids shooting some amateur porn. Because of some heavy-handed treatment by another cop, one of the kids flees, jumps, and dies. There are repercussions for all of them and throughout the community. Around the same time, a young woman arrives in town after a series of foster homes have honed her survival instincts. She is fleeing from a grifter boyfriend and the mysterious disappearance of a young boy who had been left in her care. She finds a job at the local diner, which serves as a sanctuary for the regulars. Her story, the cops’ story, and the story of the dead kid and his survivors become enmeshed, but there can be no real resolution, not in a town like this.
There are plenty of stock characters here, but a literary flair lifts this above the routine procedural.Pub Date: March 1, 2022
ISBN: 978-1-952271-40-3
Page Count: 288
Publisher: West Virginia Univ. Press
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
Loyal King stans may disagree, but this is a snooze.
A much-beloved author gives a favorite recurring character her own novel.
Holly Gibney made her first appearance in print with a small role in Mr. Mercedes (2014). She played a larger role in The Outsider (2018). And she was the central character in If It Bleeds, a novella in the 2020 collection of the same name. King has said that the character “stole his heart.” Readers adore her, too. One way to look at this book is as several hundred pages of fan service. King offers a lot of callbacks to these earlier works that are undoubtedly a treat for his most loyal devotees. That these easter eggs are meaningless and even befuddling to new readers might make sense in terms of costs and benefits. King isn’t exactly an author desperate to grow his audience; pleasing the people who keep him at the top of the bestseller lists is probably a smart strategy, and this writer achieved the kind of status that whatever he writes is going to be published. Having said all that, it’s possible that even his hardcore fans might find this story a bit slow. There are also issues in terms of style. Much of the language King uses and the cultural references he drops feel a bit creaky. The word slacks occurs with distracting frequency. King uses the phrase keeping it on the down-low in a way that suggests he probably doesn’t understand how this phrase is currently used—and has been used for quite a while. But the biggest problem is that this narrative is framed as a mystery without delivering the pleasures of a mystery. The reader knows who the bad guys are from the start. This can be an effective storytelling device, but in this case, waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable.
Loyal King stans may disagree, but this is a snooze.Pub Date: Sept. 5, 2023
ISBN: 9781668016138
Page Count: 464
Publisher: Scribner
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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