There are plenty of stock characters here, but a literary flair lifts this above the routine procedural.
There appears to be no escape from the voracious appetite of this dead-end Rust Belt town, where the deserted mill symbolizes how little hope remains.
The Lodi, Ohio, of this debut novel offers nothing to do, nowhere to go, and few prospects for anything better. In setting at least, hard-boiled crime fiction doesn’t come much harder boiled than this. Kids get in trouble, because what else is there to do? The good cops try to battle the disillusionment that has corroded the ideals of the bad cops. There are two seemingly distinct plotlines that must inevitably intersect. Stefani Rieux is one of the best and most decorated cops in Ohio, though she has combated the casual and relentless sexism of her colleagues throughout her career. Her partner, Harry Mulqueen, has her back and her trust. They also might be in love with each other, though neither is ready to admit it, perhaps partially because she is engaged to Harry’s slightly wealthier and more ambitious brother. They get called to the mill to investigate a disturbance, which involves kids shooting some amateur porn. Because of some heavy-handed treatment by another cop, one of the kids flees, jumps, and dies. There are repercussions for all of them and throughout the community. Around the same time, a young woman arrives in town after a series of foster homes have honed her survival instincts. She is fleeing from a grifter boyfriend and the mysterious disappearance of a young boy who had been left in her care. She finds a job at the local diner, which serves as a sanctuary for the regulars. Her story, the cops’ story, and the story of the dead kid and his survivors become enmeshed, but there can be no real resolution, not in a town like this.
There are plenty of stock characters here, but a literary flair lifts this above the routine procedural.Pub Date: March 1, 2022
ISBN: 978-1-952271-40-3
Page Count: 288
Publisher: West Virginia Univ. Press
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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