A consideration of evangelical Christianity that blends sublimely with a droll coming-of-age tale.
In Kirk’s debut novel, an American teen traverses his high school years while struggling to hold on to his Christian faith.
It’s 2000, and 14-year-old Isaac Siena Jr. is now a freshman in high school. As a conservative evangelical Christian, he faces numerous temptations in the secular school he attends. He (mostly) listens to Christian music, resists sexually laced thoughts about women, and tries to stick to a profanity-free vocabulary. All the while, Isaac is still tormented by the loss of his father years ago in a fatal car accident and the almost certainty that his non-Christian dad is in Hell. As high school passes by, the boy maintains cherished relationships with fellow Christians, including girls he may grow attracted to. He questions aspects of his religion, such as women not being considered as equals and homosexuality being outright condemned. He finds himself swayed by secular media and impious desires; as adulthood inches closer, Isaac must decide if he wants to leave his evangelical world behind. The bulk of Kirk’s narrative, which closely follows all four years of Isaac’s high school career, consists of theological debates. Sometimes they are internal, with an inner voice often chastising Isaac (its preferred refrain is the hilariously blunt “REGRET!”). In other instances, Isaac engages in Christian-themed discussions face to face or via the once-popular AOL Instant Messenger service. Although the author layers this story with humor, he meticulously examines Christianity as well; Isaac’s belief system, for example, seemingly holds women responsible for any and all sexual conduct (even when a man initiates it). This all comes through the teen’s endearing narration; he persistently apologizes for slip-ups (such as swearing), drops endless references to early 21st-century pop culture, and, along with many of his Christian pals, spells out forbidden words or simply replaces them with innocuous terms like gosh darn.
A consideration of evangelical Christianity that blends sublimely with a droll coming-of-age tale.Pub Date: Dec. 18, 2023
ISBN: 9781735492643
Page Count: 314
Publisher: N/A
Review Posted Online: Jan. 18, 2024
Kirkus Reviews Issue: March 1, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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