Move over Peter Parker, a new Spidey’s in town!
Spider-Man is forced to confront girls, evil, and identity crises, all while trying to survive junior year. In his latest work, Reynolds (Ghost, 2016, etc.)—a Kirkus Prize and Coretta Scott King Award winner—crafts an enjoyable piece of superhero fiction that completely transcends its genre. The result is an engrossing novel for teens boasting familiar and timely themes that add flavor and complexity to the Spider-Man mythos. In 2017, Miles Morales—a half-black/half–Puerto Rican teen on scholarship at an elite prep school—wears the famous mask and is a contemporary Everykid burdened by a family past that defines him as much as his powers do. Hailing from the Brooklyn projects, he represents countless teens whose life struggles are radically different from those Parker endured in the relative comforts of 1960s suburbia. In the author’s capable hands, Brooklyn’s sensory details, from the performers on the subway to the smells of Mrs. Morales’ fried chicken, practically pop off of the page. The narrative is anchored by strong, nuanced characters, particularly Miles’ tough-but-loving parents, Ganke, his Korean-American best friend, and his uncle Aaron, whose criminal past led to the development of Miles’ powers. Miles’ struggle to balance his superhero calling with familial pressure to make it out of the projects renders him all the more sympathetic.
A page-turner with a heart and a soul. (Fantasy. 12-18)Pub Date: Aug. 1, 2017
ISBN: 978-1-4847-8748-9
Page Count: 272
Publisher: Marvel Press
Review Posted Online: May 24, 2017
Kirkus Reviews Issue: June 15, 2017
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Engrossing, contemplative, and as heart-wrenching as the title promises.
36
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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BOOK TO SCREEN
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
17
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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