by Jason Rosenthal ‧ RELEASE DATE: April 21, 2020
A memoir filled with advice and support for anyone else going through similar circumstances.
An essay gone viral leads to this memoir about deep loss and navigating profound grief.
In March 2017, on the eve of her death from ovarian cancer, bestselling author Amy Krouse Rosenthal published a piece in the “Modern Love” section of the New York Times. Titled “You May Want To Marry My Husband,” it read like an expanded dating-site post extolling the virtues of the man who would soon become a widower. It generated millions of views and plenty of responses, including a few marriage proposals, but also numerous messages of support from well-wishers who had experienced similar tragedies. This book contains the entire original column as well as a follow-up column, written by the author, titled “My Wife Said You May Want To Marry Me,” excerpts from many of the responses he received, and passages from notes and letters he and his wife exchanged during what seemed like an idyllic marriage. “If he sounds like a prince and our relationship seems like a fairy tale, it’s not too far off,” she wrote in her essay, and this memoir corroborates that account. Yet her death wasn’t the turn a fairy tale is supposed to take, and the author’s coming to terms with it is easily the most moving and useful part of the book. As he writes, he discovered that “grief as a process is unique to everyone, and there is no right or wrong way to flow through it.” He takes us through that process and shows us what kinds of support were particularly helpful. He doesn’t have any desire to let go, but he found that he was able to move on, even to fall in love again, perhaps partly because his late wife encouraged him to do so.
A memoir filled with advice and support for anyone else going through similar circumstances.Pub Date: April 21, 2020
ISBN: 978-0-06-294059-9
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 23, 2020
Kirkus Reviews Issue: March 15, 2020
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by Paris Rosenthal & Jason Rosenthal ; illustrated by Holly Hatam
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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