Starr doesn’t let plot development or characterization impede the flow of violence or improbable twists and turns in this...
Jason Starr continues the saga of regular-guy-turned-werewolf that he began with The Pack (2011).
Women find Simon Burns irresistible. So much so that they practically yank his pants off while he’s out with his young son to enjoy a day in the park. But Simon’s conversion from an ordinary guy to a sexually magnetic stay-at-home dad with strange physical powers isn’t a coincidence. It all began when he turned into an urban werewolf courtesy of Michael, the strange German heir to a beer fortune. Simon’s wife, Alison, understands only that her husband suffers from some type of psychological disorder that makes him think he’s a werewolf, but Simon knows the truth, and he’s hidden it from her well. Or at least he’s tried, because lately his powers have been growing, and he’s becoming stronger, faster and more dangerous every day. As Alison grows more and more puzzled about her marriage and Simon’s weird behavior, Simon explores the werewolf side of his personality and discovers he can run faster and longer than ever before and sense smells like never before, all while experiencing amazing changes to his body. But Simon is worried about his family’s safety. He has seen firsthand the brutal appetite of werewolves in a feeding frenzy and worries that his own role in a police investigation led by a sexy female detective will soon bring much unwanted notice to him and the members of his pack. Not to mention that his own wife displays the critical judgment skills of a teenage girl who goes down in the basement knowing that there might be a guy with a hockey mask and a chainsaw waiting. Starr’s book is long on gore and rife with the kind of sexual thinking generally attributable to nerdy but hopeful 15-year-old boys, and none of Starr’s characters are especially redeeming, but there’s a goofy kind of fun to the writing.
Starr doesn’t let plot development or characterization impede the flow of violence or improbable twists and turns in this tale about a guy who parents by allowing his 3-year-old to hang out with people-eating werewolves.Pub Date: June 5, 2012
ISBN: 978-1-937007-55-3
Page Count: 320
Publisher: Ace/Berkley
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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