Fans of Terry Pratchett’s Discworld novels should check out Fforde’s engagingly skewed comic utopia. As one of his...
A lively, pun-packed sequel to the Welsh novelist’s debut, The Eyre Affair (2002). Here, his lissome literary detective once again prowls the mean streets and elusive texts of classic English literature.
We’re back in Fforde’s Alternate Wales, 1985, when previously endangered species (e.g., dodos, woolly mammoths) thrive, the vast and sinister Goliath Corporation fulfills every imaginable need, and literature has replaced pop culture as the people’s chosen opiate. As “Baconians” wreak havoc defending their favorite’s authorship of Shakespeare’s plays and Richard III draws Rocky Horror Picture Show–like participatory audiences, Thursday, a veteran of the never-ending Crimean War, finds herself enmeshed in numerous baffling intrigues. Her new husband, writer Landen Parke-Laine, has been “deleted” (perhaps by Goliath bigwigs revenging themselves on Thursday for imprisoning their op Jack Schitt in the text of Poe’s “The Raven”). And Thursday, aware that “without entry to books I would never see Landen again,” goes bravely off into bookdom—abetted and hindered here and there by her hardboiled partner Bowden Cable, her time-traveling dad, and post-centenarian “Gran” (condemned to live until she has read “the ten most boring classics”). Denied access to the normal means of entry to literary works (the Prose Portal), Thursday finagles her way inside such texts as Kafka’s The Trial and Carroll’s Alice in Wonderland, enduring meaningful encounters with such worthies as a bookwormy Cheshire Cat and an unusually extroverted Miss Havisham (from Great Expectations, of course). And, oh yes, Thursday must also deal with a newly discovered Shakespeare play (Cardenio) and a mammoth stampede. Just as she did in Eyre, Thursday preserves the integrity of embattled masterpieces, ending up gracefully poised for the next forthcoming sequel (announced in an endnote), The Well of Lost Plots.
Fans of Terry Pratchett’s Discworld novels should check out Fforde’s engagingly skewed comic utopia. As one of his characters predicts: the likely result will be “paroxysms of litjoy.”Pub Date: April 1, 2003
ISBN: 0-670-03190-9
Page Count: 400
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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