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SOLDIERS OF SALAMIS

Cercas’s lyric intensity becomes quite moving (especially toward the end) in a beautiful account of loss and reconciliation.

Cercas’s US debut is a strange and intriguing amalgam of epic, elegy, and mystery about a journalist’s efforts to uncover the story behind a soldier’s quasi-miraculous escape from firing squad in the Spanish Civil War.

How much of the tale is fiction, many readers will ask, since most of the characters are historical figures and the narrator, like the author, is a Spanish writer named Javier Cercas—but never mind all that. We begin with a broken-down journalist in a provincial town who has written a few novels that flopped and is depressed because his father has died and his wife has left him. While researching an article commemorating the 60th anniversary of the Spanish Civil War, Javier hears an interesting legend and works it into the piece: Nationalist hero Rafael Sánchez Mazas, founder of the right-wing Falange Party and onetime cabinet minister under Franco, was once captured by leftist troops, shot by firing squad—and survived. Not only that, but afterward, making his way across enemy lines, he was discovered and recognized by a Communist guerrilla: an unknown militiaman who deliberately let him get away. Among the usual letters to the editor after the article is published, Javier receives contradictory leads as to the true identity of the soldier, and he becomes increasingly intrigued. He tracks down the son of a Communist partisan who sheltered Sánchez Mazas during his escape and discovers a notebook kept by the escapee describing his ordeal. Eventually, he pieces together an account of Sánchez Mazas’s exploits during the last days of the war, and he finally meets the man whom he believes spared his life. But is it really him? It doesn’t matter—like the sled in Citizen Kane, the man in the forest (whoever he was) eventually becomes much less interesting than the search itself.

Cercas’s lyric intensity becomes quite moving (especially toward the end) in a beautiful account of loss and reconciliation.

Pub Date: March 7, 2004

ISBN: 1-58234-384-5

Page Count: 224

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2004

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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