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NEIL ARMSTRONG

A LIFE OF FLIGHT

A wholly admiring assessment of Armstrong the aviator and Armstrong the man.

A longtime NBC News space correspondent looks back on the aviation career of the first man to set foot on the moon.

Given his starring role in one of history’s most magnificent achievements, shouldn’t Neil Armstrong (1930-2012) be a bigger deal? Following Apollo 11’s trailblazing 1969 flight, Armstrong worked a couple of years for NASA, then taught for a few more at the University of Cincinnati. Except for a brief, high-profile role investigating the causes of the Challenger disaster and an occasional speaking engagement, he assiduously avoided the spotlight, never cashing in on his fame. By the time of his death, he easily passed unrecognized in public. Barbree (“Live From Cape Canaveral”: Covering the Space Race, From Sputnik to Today, 2007, etc.), who covered every American manned space flight and became especially friendly with Armstrong, nevertheless barely pierces the habitual Armstrong reserve. Except for occasional tidbits of personal information—the astronaut’s friendship with John Glenn, the premature death of his daughter, the fire that razed his home—this account focuses primarily on Armstrong the pilot, particularly his coolness in tight spots: ejecting from a shot-up fighter plane in Korea, recovering from a “stuck thruster” in orbit aboard Gemini 8, ejecting from the lunar lander training module just before it crashed, and famously guiding the Eagle to touchdown in the Sea of Tranquility with fuel running dangerously low. These moments take up the bulk of Barbree’s amiable account. He supplies useful context by examining the origins and development of NASA’s manned flight program, including a good deal of information about astronaut training. The author insists that Armstrong never regarded himself as special and never lobbied to be first on the moon; he saw himself merely as next in line to take what turned out to be “a ‘Lindbergh’ step in flight.”

A wholly admiring assessment of Armstrong the aviator and Armstrong the man.

Pub Date: July 8, 2014

ISBN: 978-1-250-04071-8

Page Count: 384

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2014

Kirkus Reviews Issue: June 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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