A delicious, scalding cup of satire.
In this debut satire, a trendy numerical rating system determines the fates of individuals.
Philip Goodwin is trapped in a loveless marriage. The problem is that he has a great sense of humor, while his wife, Sheila, is “Hypo-Humoresque”—completely without humor. Their plight is worsened when “Data Snatcher” Alex Pragat creates the Pragat Personal Rating system, which—like the Zagat restaurant rating system—appoints numerical values to people. This seems innocent enough, except that “[w]ithin months of the website’s launch, an individual’s PPR came to define for one and all the worth of an individual to society.” Despite Philip’s decent rating, Sheila cheats on him with their marriage counselor. This prompts the middle-aged romantic to search for new love, which he finds in the ravishing Sophie D’Amour. She and Philip realize they’re perfect for each other. But after a few unforgettable dates, Sophie reveals that she’s a “habitual and compulsive trespasser”—a crime for which she’s then arrested. As a result, Philip struggles with loneliness. Sheila, meanwhile, is struck by a lightning bolt of astounding power. The accident hospitalizes her, but she glows (literally) with celebrity allure. Philip tries to retain his privacy, and sanity, as events spin out of control. Debut author Begler is a fabulously skilled comedian capable of winsome asides and ruthlessly ribald jabs. His gonzo narrative skewers many of modern society’s most controversial subjects: privacy rights, health care and class division. His extended commentaries often feature moments of surreal wonder, as with “a low-flying, small black cloud, which to all eyewitnesses, not one exception, resembled a profile of Abraham Lincoln wearing a baseball cap.” Begler’s exuberant cleverness is perhaps most cutting when focused on the rich and famous: “Several celebrities were brave enough to place their heads directly into [Sheila’s] mysterious light,” which grants instant face-lifts. Sometimes, however, Begler throws too many jokes at the wall, and not everything sticks—a small price for admission into this wonderland.
A delicious, scalding cup of satire.Pub Date: April 3, 2014
ISBN: 978-1-4928-5301-5
Page Count: 308
Publisher: CreateSpace
Review Posted Online: May 16, 2014
Kirkus Reviews Issue: June 15, 2014
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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