An eccentric family competes in a reality show in Duret’s debut YA novel.
The Marcus family of Philadelphia—Skunky, Golden Boy, Barkus, Marticus, Nee Nee, and their parents, Airball and Saint Marcus—are selected to compete in a new, national reality show, where they’re woefully overmatched by the hardy, athletic Ponchatrains from New Orleans and the intellectually gifted Perfects from Boston. As the competition takes off and its producer, Buzzemiah Miller, mounts an extensive promotional campaign, readers get to know the Marcuses and their competitors in multilayered ways: through their behind-the-scenes interactions, their performances in various “challenges,” and their glossy, manufactured images, presented to and consumed by the show’s millions of viewers. The vain, attention-seeking Nee Nee, the oldest Marcus daughter, functions as the main protagonist as her family and their TV fans look for substance and redemption in the most unlikely places. A quote on the novel’s back cover compares it to Norton Juster’s 1961 classic The Phantom Tollbooth, and after a somewhat slow start, Duret’s book really does begin to approach the witty, imaginative, and accessible brilliance of that genre-busting work. It isn’t a fantasy—there’s no mystical land, unless Hollywood qualifies as such, and everything seems to follow generally accepted rules of time and space. Nevertheless, the story does have elements of the supremely absurd that are delightfully amusing and fiendishly clever. While staying focused on the action, Duret makes incisive, thought-provoking comments about what we value, as individuals and as a culture, when it comes to family, work, competition, education, and entertainment. His lively, slightly snarky prose is also a perfect fit with the material (“He didn’t seem as much to have a tan as to be entitled to one”). Overall, this book will appeal to fans of all YA genres—and their parents as well.
An action-filled story full of funny, topical, and sympathetic observations about the world today.Pub Date: Dec. 9, 2014
ISBN: 978-1938101793
Page Count: 284
Publisher: Second Wind Publishing, LLC
Review Posted Online: March 3, 2015
Kirkus Reviews Issue: April 15, 2015
Review Program: Kirkus Indie
Categories: TEENS & YOUNG ADULT FICTION
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Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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A resounding success.
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This literary DeLorean transports readers into the past, where they hope, dream, and struggle alongside beloved characters from Thomas’ The Hate U Give (2017).
The tale begins in 1998 Garden Heights, when Starr’s parents, Maverick and Lisa, are high school seniors in love and planning for the future. Thomas proves Game of Thrones–esque in her worldbuilding ability, deepening her landscape without sacrificing intimacy or heart. Garden Heights doesn’t contain dragons or sorcerers, but it’s nevertheless a kingdom under siege, and the contemporary pressures its royalty faces are graver for the realness that no magic spell can alleviate. Mav’s a prince whose family prospects are diminished due to his father’s federally mandated absence. He and his best friend, King, are “li’l homies,” lower in status and with everything to prove, especially after Mav becomes a father. In a world where masculinity and violence are inextricably linked to power, the boys’ very identities are tied to the fathers whose names they bear and with whose legacies they must contend. Mav laments, “I ain’t as hard as my pops, ain’t as street as my pops,” but measuring up to that legacy ends in jail or the grave. Worthy prequels make readers invest as though meeting characters for the first time; here they learn more about the intricate hierarchies and alliances within the King Lord gang and gain deeper insight into former ancillary characters, particularly Mav’s parents, King, and Iesha. Characters are Black.
A resounding success. (Fiction. 13-18)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-284671-6
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 9, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Categories: TEENS & YOUNG ADULT SOCIAL THEMES | TEENS & YOUNG ADULT FICTION
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