Griffith’s love for words and her skill in using them, her easy familiarity with a host of poets, novelists, naturalists and...
An exuberant and erudite exploration of the meaning of wilderness and its place in our lives.
Griffiths (A Sideways Look at Time, not reviewed) traveled over seven years to some of the world’s wildest and most remote places seeking to understand how wildness expresses itself. She has categorized her journeys by the four elements—earth, water, fire and air—adding a fifth, ice, and concluding with a trip into the recesses of the human mind. The first chapter, “Wild Earth,” is an expedition into the Amazon basin, where she becomes immersed not just in the physical wildness of nature but in the culture of the indigenous people. When shamans introduce her to the hallucinogenic drink ayahuasca, she feels herself being transformed into a jaguar, an experience she describes vividly. The next, “Wild Ice,” takes her to Ellesmere Island in the Canadian Arctic, where she lives among the Inuit and bears witness to the beauty of the land and the destruction by white newcomers of the native culture. In “Wild Water,” she learns about the wildness of the ocean and the creatures in it from the Bajo people of Indonesia, sea gypsies who live on a small island off Sulawesi. The hot, dry Australian outback is the setting for “Wild Fire.” There she lives among the Aboriginal people, comparing their spiritual understanding of the desert with the less felicitous attitudes of the white settlers. The highlands of West Papua are the setting for “Wild Air,” and there she is again traveling with native guides through exceedingly rough country and climbing high mountains. In Griffiths’s eyes, indigenous people are blessed with a wisdom and spirituality that the rest of us, herself excluded, just don’t get; a persistent theme is the harm done to the native people and their environment by intruding whites, especially Christian missionaries.
Griffith’s love for words and her skill in using them, her easy familiarity with a host of poets, novelists, naturalists and anthropologists, her openness to new experiences and her willingness to reveal so much of herself, make this a fascinating journey.Pub Date: Jan. 1, 2007
ISBN: 1-58542-403-X
Page Count: 384
Publisher: TarcherPerigee
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2006
BOOK REVIEW
BOOK REVIEW
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
IN THE NEWS
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
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