Despite stiff prose, an engagingly honest look at the crossroads of comedy and dysfunction.
Memo to aspiring comics: being on Saturday Night Live may help your career, but it sure won’t be enjoyable.
The author—“Jay Moore,” as a New York tabloid spelled it when claiming to have spotted him at a Manhattan strip club one night when he was in LA—today qualifies as a successful SNL alum. A headlining stand-up comedian, he’s had roles in films like Jerry Maguire and Go, hosted an ESPN talk show, and produced his own NBC comic reality show. But as an SNL cast member from 1993 to 1995 (widely considered to be one of the unfunniest periods in the show’s history), he was just another one of the writers and actors clawing to get their material on the air. Mohr’s account backs up what was recently documented in Tom Shales and James Andrew Miller’s Live from New York: SNL is an odd, insular circus, at the same time utterly rigid and completely unstructured. Coming into it breathless with excitement but riddled with insecurity, Mohr found the setup less than ideal. The schedule, he notes, “was made back in the Seventies when everyone was on coke”; it’s not long before the author is taking drugs for his panic attacks. Mohr is unafraid to come off as nervous and a little grating: the whole first season he’s just the new guy nobody will look in the eye, whose ideas get shot down, who’s always asking dumb questions and almost never gets on the air. Though tinged with bitterness (after two seasons, Mohr was basically known only for his Christopher Walken impersonation), this account is generous in its praise for people like Phil Hartman, Chris Farley, and Michael McKean. Profiles of other costars—like David Spade, who “was only on the show so he could sleep with models”—are just dishy enough to leave the reader wanting more.
Despite stiff prose, an engagingly honest look at the crossroads of comedy and dysfunction.Pub Date: June 9, 2004
ISBN: 1-4013-0006-5
Page Count: 304
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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