by Jay-Z ‧ RELEASE DATE: Nov. 16, 2010
Heartfelt, passionate and slick—an essential hip-hop book.
Hip-hop’s renaissance man drops a classic.
Lyricist, producer, business mogul and self-proclaimed hustler Jay-Z has all but dominated the rap scene since his 1996 debut, Reasonable Doubt. During the last decade-plus, his singles have not only owned the urban airwaves, but have crossed over into the mainstream. This book provides a two-pronged attack, in which narrative chapters alternate with in-depth explanations of the lyrics to his favorite compositions. Not formatted in chronological fashion, Jay-Z’s stories ramble pleasantly from one topic to the next, including his difficult childhood in the projects, his road to creative fulfillment, his encounters with A-list celebrities and public figures and how he deals with the ins and outs of the record industry. Hardcore hip-hop heads will be drawn in by Jay-Z’s obvious love, respect and knowledge of his chosen genre. In fact, his incisive reminiscences of the lives and/or music of Run-DMC, Big Daddy Kane, the Notorious B.I.G. and Tupac Shakur are alone worth the price of admission. Though engaging, his meticulous dissections of his lyrics could be off-putting to the casual fan, but that’s mitigated by the fact that his complex personality shines through every page. One minute, he’s boasting as if he’s in the midst of a rap battle with his pal Eminem, and the next he’s chiding himself for a minor musical, personal or business transgression. The book is creatively designed, filled with pull quotes, sidebars and photographs. Ardent Jay-Z followers may be disappointed by the lack of gossip—there’s no mention of his infamous battle with fellow New York rapper Nas; the specifics of his thug life are thin; and there’s nary a word about his wife, Beyonce—but the sharpness of his social observations and his palpable adoration for all that is hip-hop make this a must-have title for all pop-culture aficionados.
Heartfelt, passionate and slick—an essential hip-hop book.Pub Date: Nov. 16, 2010
ISBN: 978-1-4000-6892-0
Page Count: 336
Publisher: Spiegel & Grau
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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