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COPPER BEACH

Although the stakes are far-fetched and fanciful, the suspense never flags, and such ado over print material carries its own...

In this launch of Krentz’s Dark Legacy series, a psychic rare-book expert must wrest a valuable text from evildoers while resisting (or not) the uncanny charms of her client.

Abby Radwell specializes in unlocking the secrets of a certain species of rare book, the kind that is encrypted with a psychic lock that can only be decoded by someone with special clairvoyance. Collectors of such codices are not your typical bookish antiquarians—since these tomes can wield dark powers, their aficionados usually have mixed motives for acquiring them. Referred by her mentor, Thaddeus Webber, Abby accepts an assignment from Sam Coppersmith, scion of a wealthy mining family, who occupies Copper Beach, his ancestral mansion on a remote island near Seattle. Abby’s mission: Find a coded lab notebook that holds the key to unleashing the potentially deadly energy of crystals rescued decades ago from a destroyed Coppersmith mine. In the wrong hands, the book's secrets could trigger crystal Armageddon. The competition for the book has already impacted innocent victims: An elderly archivist is accosted in her home, and Thaddeus and a fellow book dealer die of suspicious heart attacks. Already on the run from a blackmailer and would-be kidnappers, Abby ignores her best friends’ warnings to stay far, far away from Sam and the whole project. This is paranormal romance after all, and Sam and she have an instant, psychically augmented, unequivocally erotic connection. Besides, she needs a bodyguard and someone to interrupt her sleepwalking episodes, during which she tends to set things on fire. Appropriately enough, legacies figure heavily in the plot. Among the suspects trawling for the book are Lander, who believes the Coppersmiths stole his inheritance, and Abby’s snooty step-relatives the Stricklands, who have every intention of cutting Abby out of the will until somebody unwittingly bets their fortune on the lab-book quest.  

Although the stakes are far-fetched and fanciful, the suspense never flags, and such ado over print material carries its own nostalgic allure.

Pub Date: Jan. 10, 2012

ISBN: 978-0-399-15787-5

Page Count: 352

Publisher: Putnam

Review Posted Online: Nov. 20, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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