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MOTHERKIND

An ambitious if uneven attempt to write passionately in a minor key about commonplace yet central life experiences.

Responsibility for a dying parent, taking pleasure in a first baby, marriage to a man with kids and an angry ex-wife. Despite her gift for gorgeous prose, Phillips (Shelter, 1994, etc.) is not entirely successful in breathing new life into this combination of domestic dramas so familiar in fiction and women's lives today.

Kate Tateman, a poet in Boston, is pregnant. Involved with the expectant father, Matt, for eight months, she cannot marry him until his divorce is final. Not that his first marriage's breakup was Kate's fault—the ex-wife left first—but Kate must deal with Matt's two young sons' difficulties adjusting to her. Meanwhile, in Virginia, Kate's mother, Katherine, has been diagnosed with terminal cancer. Mother and daughter are close, with few frictions, and no one questions that Kate will be Katherine's primary caretaker when the time comes. As Kate's pregnancy progresses, so does Katherine's cancer, and she moves in with Kate and Matt in Boston. The baby is born, Matt and Kate marry, Matt's sons make noisy, sometimes heartbreaking demands, Katherine weakens. Kate feeds, launders, nurtures. Her often thought-provoking musings are refreshingly lacking in cynicism, although her interspersed memories of a visit to India the year before, when she was free of responsibility, seem a bit contrived. At her best, Phillips builds scenes through sensory details and sharp dialogue. Kate's passionate love for her infant son is particularly well rendered, as is her deep tenderness toward her mother. Unfortunately, though, the story itself drags, thanks in part to needlessly repetitive bits of basic information. Meanwhile, Kate's relationship with Matt, who lacks a defined personality, never rises above lukewarm. And because Phillips insulates Kate from any character flaws, anger, or even much regret, Kate feels a little too perfect, too smart, her righteousness somewhat off-putting. No Pampers for her baby.

An ambitious if uneven attempt to write passionately in a minor key about commonplace yet central life experiences.

Pub Date: May 3, 2000

ISBN: 0-375-40194-6

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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SUMMER SECRETS

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends,...

Before sobriety, Catherine "Cat" Coombs had it all: fun friends, an exciting job, and a love affair with alcohol. Until she blacked out one more time and woke up in a stranger’s bed.

By that time, “having it all” had already devolved into hiding the extent of her drinking from everyone she cared about, including herself. Luckily for Cat, the stranger turned out to be Jason Halliwell, a rather delicious television director marking three years, eight months, and 69 days of sobriety. Inspired by Jason—or rather, inspired by the prospect of a romantic relationship with this handsome hunk—Cat joins him at AA meetings and embarks on her own journey toward clarity. But sobriety won’t work until Cat commits to it for herself. Their relationship is tumultuous, as Cat falls off the wagon time and again. Along the way, Cat discovers that the cold man she grew up endlessly failing to please was not her real father, and with his death, her mother’s secret escapes. So she heads for Nantucket, where she meets her drunken dad and two half sisters—one boisterously welcoming and the other sulkily suspicious—and where she commits an unforgivable blunder. Years later, despairing of her persistent relapses, Jason has left Cat, taking their daughter with him. Finally, painfully, Cat gets clean. Green (Saving Grace, 2014, etc.) handles grim issues with a sure hand, balancing light romance with tense family drama. She unflinchingly documents Cat’s humiliations under the influence and then traces her commitment to sobriety. Simultaneously masking the motivations of those surrounding our heroine, Green sets up a surprising karmic lesson.

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends, like addiction, may endanger her future.

Pub Date: June 23, 2015

ISBN: 978-1-250-04734-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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