Lord of the Flies meets The Trouble with Angels in Phillips's second novel (after Machine Dreams, 1984), a grim evocation of the dark, dank underbelly of a West Virginia Girl Guides camp in 1963. Every human being is abusive or abused, and evil can only be conquered through primitive means at the summer camp, which is divided into Seniors, Juniors, and younger girls. Senior Lenny finds herself sequestered in a private tent with her best friend, Cap, far away from younger sister Alma and Alma's best friend, Delia. This is just as well, since the sisters are immersed in some serious dilemmas, and this hiatus from home offers a chance to work them out. Alma, a typical mother's girl (or, more precisely, that parent's emotional captive), is disturbed over her mother's passionate affair with Delia's father, recently ended when he drove off a bridge and drowned. Lenny, only vaguely aware of the affair, is more worried about Cap, the daughter of a mining-company owner whose mother abandoned her and who'll be shipped off to boarding school in September. Ruminating over their problems, the girls hardly notice pixie-ish Buddy, the camp cook's eight-year-old, who harbors his own terrible secret: His father, Carmody, recently sprung from a penitentiary, is sexually abusing him. Evading Carmody and spying on the girls, Buddy only gradually becomes aware of another presence at Camp Shelter: Parson, Carmody's former cellmate and a brooding evangelist who sees the Devil incarnate in the ex-con and means to personally destroy him. As these troubled characters' nightmares and yearnings come together in a violent climax, Phillips switches, in Machine Dreams manner, from one subjective viewpoint to another. This time, though, the voices sound remarkably alike—wounded, impressionistic, confused by homoerotic and transcendent yearnings—and lose some power in their sameness. Nevertheless, a suspenseful and oddly captivating work. Phillips remains a stimulating and unpredictable author. (Author tour)
Pub Date: Sept. 12, 1994
ISBN: 0-395-48890-7
Page Count: 288
Publisher: Houghton Mifflin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 1994
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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