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RICHTER THE MIGHTY

A sprawling, cleverly imagined spoof of political culture and the miscreants it spawns.

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A satirical skewering of the machinations of a despicable fictional American president.

Vermont-based author Manning exhibits a well-honed sense of the absurd in a silly but humorously absorbing debut. Wilhelm “Hick” Richter is the current American president, a double-chinned, Trump-esque, coke-snorting scoundrel his 13-year-old son, Billy, describes as “mean as a gutter rat” with a dyed comb-over and nefarious ties to corrupt international entities. Disgruntled with his young wife, Savanna, and their newborn baby, Richter continues to maintain nefarious ties to corrupt international entities while Georgina, one of his daughters, runs his sketchy companies. Cody, another daughter, snoops around and uncovers her father’s corruption and alerts the FBI. She is kidnapped and drugged by someone hoping to make her accept her father’s innocence by, among other things, forgetting some incriminating evidence surrounding her mother’s death. Cody’s brother Billy, who himself has bugged the Oval Office, is determined to swoop in, save her, and have his father implicated. Add to the cast Richter’s chief of staff Baron “Bugsy” Knowles and a host of unscrupulous druggy hoodlums, and you’ve got a serpentine stew of dirty politics. There’s also the smart, young Jeremy Green, who plans to hijack Richter’s reelection plans with his own campaign. Richter enters into a deal with a Russian ambassador named Boris to reveal secrets about a robotic prototype in exchange for help securing his reelection. Cody narrowly escapes her captors and goes on the run, while Richter’s legions of “Hick Brigades” crisscross the nation inciting violence and discord in honor of their philandering leader. Manning lays the head-spinningly satirical groundwork for all of these eerily familiar antics with the ease of a seasoned comedian. If it all sounds insanely zany, it is, yet Manning’s imagination, ambitious plotting, and comic timing are impeccable, and the outright corruption is hilarious. The hijinks steamroll common sense toward the conclusion, when the parade of bumbling idiots makes one final plan to dispose of poor abused Cody. This is a brilliantly conceived parody.

A sprawling, cleverly imagined spoof of political culture and the miscreants it spawns.

Pub Date: Nov. 16, 2022

ISBN: N/A

Page Count: 600

Publisher: Encircle Publications

Review Posted Online: Sept. 8, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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