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TIME BENDERS AND THE TWO PROMISES

Appealing siblings fortify a time-bending tale that offers plenty of drama.

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Time travelers revisit the past to help a friend and fix a mistake in this YA SF sequel.

Teenager Joe Fitzgerald, after finding documents for a prospective time-traveling machine, constructed a prototype with his older brother, Ken, and adult scientist pal, Mr. Brewster. Joe, Ken, and their sisters, Deb and Kim, traveled through time to undo their parents’ plane crash deaths. But now back in the present day (the 1970s), they realize they’ve changed the circumstances but haven’t saved their mother and father. Joe tries again on his own but fails; in fact, his actions have seemingly resulted in their parents’ separating prior to their deaths. Kim is upset and Ken and Deb are understandably irate with Joe. Ken decrees that his brother’s time-traveling days are over. But Deb has a change of heart after hearing Mr. Brewster’s story of losing his unborn child and, later, his wife, Abby. Deb agrees to Joe’s simple time-traveling plan to give the Brewsters more days together, and Ken, away at Harvard, won’t even need to know about it. Deb, Joe, Kim, and Deb’s boyfriend, Ryan, complete their journey with relative success. So Deb has an idea to go back and intercept Joe on his solo trip; it won’t save their parents but hopefully it will prevent their separation. But this time, there’s potential danger. On his last trip, Joe experienced severe nausea and dizziness, a condition that he and Mr. Brewster now believe is from two versions of the teen sharing the same time and space. If the universe is trying to “erase” the second version of Joe, Deb and Ryan will have little time to finish their mission.

Yanni’s second installment is as uncomplicated as the series opener, Time Benders: The Machine (2018). Characters simply accept certain aspects of time travel so that they don’t require much in the way of explanation. For example, the players know that traveling to the past necessitates as few changes and interactions as possible. Nevertheless, the story is still predominantly dialogue, including a debate over Joe’s solo excursion; discussion on his adverse side effects; and plans for future time travel—without Ken’s knowledge, of course. This occasionally leads to repetition, particularly about Joe’s failed trip, which the Fitzgeralds frequently deliberate or recount to others. Regardless, the well-established characters evolve, as Ken graduates from a Connecticut boarding school and attends Harvard; Deb must decide on a college; and Joe grows closer to schoolmate Becky. At the same time, the author keeps the series fresh by shifting character focus in the sequel: Deb and Joe essentially take over as leads, with more of a spotlight on Ryan, while Ken and Kim step into supporting roles. Meanwhile, the author’s incorporation of historical events is smart and typically accurate, such as Joe utilizing the computer language COBOL and designing a “personal computer” before it becomes a household item. But there are several pop-culture anachronisms that the author’s concluding notes clarify as movies, etc., that have been “adapted for use in the story.” Though the narrative manages to find a resolution by the end, a cliffhanger sets the stage for the third volume with the possibility of yet another character taking the limelight.

Appealing siblings fortify a time-bending tale that offers plenty of drama.

Pub Date: Feb. 10, 2020

ISBN: 978-1-72834-574-1

Page Count: 270

Publisher: AuthorHouse

Review Posted Online: March 9, 2020

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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