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Ramedio and the Strangers

MARTINA'S EXCHANGE

Well-crafted and honest.

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Menapace (Letting Go of Mama, 2011) crafts a coming-of-age story that builds slowly but unfolds profoundly.

With a carefully balanced mix of harsh earnestness and dry humor, Jasper Windsock Jr. tells the story of his lifelong friend and occasional rival, Ramedio Kunstler. The bulk of the drama, which develops over the course of the 20th century in Pennsylvania’s coal country, derives from bitter, generations-old feuds among the Italian immigrant families that populate the Valhalla area. Reputations and political alliances are of the utmost importance, but in his early days, these issues seem to be of no concern to Ramedio. After tragically witnessing his father’s suicide, Ramedio is raised by his mentally unstable mother, Ramona, and his intelligent, if heavy-handed, stepfather, Dr. Walter Kunstler. Ramedio develops a love for music at an early age and, in his teenage years, decides that he and his band, Ramedio and the Rangers, are destined for stardom. But before the Rangers can really take off, he gets 17-year-old Martina Cardinelli pregnant. Following the demands of his stepfather, Ramedio marries Martina and is instantly embraced by her family; he loves Martina and feels more loved by her family than his own. However, none of this can last in their spiteful, clan-based society. The Kunstlers and Cardinellis clash while Ramedio struggles to make enough money as a musician. In the ultimate tragedy, Martina falls completely out of love with Ramedio. As Ramedio tries in vain to regain the love of his wife, Windsock recalls all the heartbreaking details. The events that follow, with Ramedio fleeing the town and returning to his music, are rendered with a surrealistic style and an air of irreverence that serve as a welcome release from the tense preceding chapters. The novel’s first half unfolds at a slower pace, but that proves to be Menapace setting the stage for the extremely gratifying series of resolutions, and nonresolutions, that follow.

Well-crafted and honest.

Pub Date: Dec. 6, 2012

ISBN: 978-1475250695

Page Count: 298

Publisher: CreateSpace

Review Posted Online: Feb. 21, 2013

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THE GOOD HOUSE

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).

Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

Pub Date: Jan. 15, 2013

ISBN: 978-1-250-01554-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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THE ISLAND

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It”...

Queen of the summer novel—how could she not be, with all her stories set on an island—Hilderbrand delivers a beguiling ninth (The Castaways, 2009, etc.), featuring romance and mystery on isolated Tuckernuck Island.

The Tate family has had a house on Tuckernuck (just off the coast of swanky Nantucket) for generations. It has been empty for years, but now Birdie wants to spend a quiet mother-daughter week there with Chess before Chess’s wedding to Michael Morgan. Then the unthinkable happens—perfect Chess (beautiful, rich, well-bred food editor of Glamorous Home) dumps the equally perfect Michael. She quits her job, leaves her New York apartment for Birdie’s home in New Canaan, and all without explanation. Then the unraveling continues: Michael dies in a rock-climbing accident, leaving Chess not quite a widow, but devastated, guilty, unreachable in the shell of herself. Birdie invites her younger daughter Tate (a pretty, naïve computer genius) and her own bohemian sister India, whose husband, world-renowned sculptor Bill Bishop, killed himself years ago, to Tuckernuck for the month of July, in the hopes that the three of them can break through to Chess. Hunky Barrett Lee is their caretaker, coming from Nantucket twice a day to bring groceries and take away laundry (idyllic Tuckernuck is remote—no phone, no hot water, no ferry) as he’s also inspiring renewed lust in Tate, who has had a crush on him since she was a kid. The author jumps between the four women—Tate and her blossoming relationship with Barrett, India and her relationship with Lula Simpson, a painter at the Academy where India is a curator, Birdie, who is surprised by the recent kindnesses of ex-husband Grant, and finally Chess, who in her journal is uncoiling the sordid, sad circumstances of her break with normal life and Michael’s death.

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It” beach book of the summer.

Pub Date: July 6, 2010

ISBN: 978-0-316-04387-8

Page Count: 416

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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