Ah, the price of fame. Repeatedly stymied in his efforts to take a nap by a trio of giggling groupies, the overcaffeinated ninja-turned-circus acrobat who achieved his dream in Wink, the Ninja Who Wanted To Be Noticed (2009) at last enlists similarly black-swathed classmates from the Summer Moon School for Young Ninjas to lead his stalkers off in merry chases for an hour or two. Also returning for this sequel are Wink’s wise grandma and frazzled-but-savvy sensei (“One zebra alone is easily seen. A herd creates confusion,” he intones. “Why can’t Master Zutsu say anything normal? Wink thought. Then he got an idea”). Bright patterns and heavy textures give the paper-collage illustrations a 3D look; borders contain inset illustrations, while full-bleed spreads allow readers to pull back for more expansive views. Phillipps cranks up the visual energy by strewing her brightly lit street scenes with laughing figures, arms and legs flung out joyfully. Like its predecessor, definitely not a snoozer. (Picture book. 5-7)
Pub Date: March 1, 2011
ISBN: 978-0-670-01192-6
Page Count: 40
Publisher: Viking
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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