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GENTLEMAN CAPTAIN

A delightful tale.

A sprightly fictionalized account of the fatal cleft in loyalties among seamen following Charles II’s restoration in 1660.

English historian Davies (Pepsy’s Navy, 2008, etc.) applies his impressive depth of knowledge of the 17th-century British navy to re-create the chaotic state of affairs that reigned when Cromwell’s Commonwealth collapsed and Charles II was invited back to the throne. The seas had been commanded handily over the previous 11 years by the Commonwealth seamen—the humble but capable “tarpaulins”—whose achievements included beating the Dutch in the maritime war of 1652–’54. These commanders were now regarded as having suspicious allegiances, and Charles needed captains loyal to king and throne—“gentlemen captains,” chosen by breeding rather than competence, such as our 21-year-old narrator Matthew Quinton, the younger brother of the current Earl of Ravensden. Summoned by the king for a new assignment, despite his disastrous previous commission as captain of the Happy Restoration, which ended in a shipwreck only months before, Quinton is ordered for immediate boarding of the Jupiter, which, along with its companion, Royal Martyr, is supposed to sail to the Scottish isles and intercept a huge arms shipment lest it fall into the hands of the restive Scottish clans. Ominously, the Jupiter’s previous captain, James Harker, died under shadowy circumstances. Davies, steeped in the language of the era, proceeds to depict the drama with confidence and verve, and he fashions a convincing crew of personalities and types, such as Quinton’s irreplaceable mate Kit Farrell, who teaches his master the ropes in exchange for learning to read and write. Along the way, Davies takes every opportunity to feed the reader some British dynastic history, but the writing is natural and well worth the instruction.

A delightful tale.

Pub Date: Oct. 13, 2010

ISBN: 978-0-547-38261-6

Page Count: 336

Publisher: Houghton Mifflin

Review Posted Online: June 22, 2010

Kirkus Reviews Issue: July 15, 2010

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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