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GOLDEN IN DEATH

It’s great to think that the dawning surveillance state will help catch some actual criminals in the mid-21st-century.

Lt. Eve Dallas celebrates her 50th futuristic procedural by taking down an unusually malevolent and resourceful poisoner.

Who would have wanted to kill saintly physician Kent Abner, who donated his services to a pediatric clinic—except of course for all those abusive parents he reported to the authorities over the years? Eve and her partner, Detective Delia Peabody (Vendetta in Death, 2019, etc.), are still wending their way through the list of possibles when they learn that Elise Duran has been prevented from hosting the weekly meeting of her book club in exactly the same way Abner was killed: She breathed the toxic fumes released from a golden egg delivered to her door. The murder method is so offbeat and so precisely calibrated—the malefactor clearly targeted both victims when they were home alone and chose a chemical agent that would be sure to dispatch them without killing any innocent victims—that both crimes were obviously hatched by a single brain. And this time, the second murder, instead of muddling the mystery, clarifies it so dramatically that Eve, backed up by her usual legion of omnicompetent colleagues and a little help from Roarke, her dishy billionaire husband, quickly identifies the likely motive for both homicides and then zeroes in on her prime suspect when her tale is only halfway told. So there’s precious little mystery after the initial false leads. The rewards on tap instead are the familiar pleasures of watching Eve and Peabody and the New York Police painstakingly gather evidence, make their case, relentlessly question any number of variously complicit citizens who don’t happen to be the killer and walk away from their pushback, and then break the perp in a climactic interrogation that the mountain of physical evidence they’ve amassed makes as superfluous as it is satisfying.

It’s great to think that the dawning surveillance state will help catch some actual criminals in the mid-21st-century.

Pub Date: Feb. 4, 2020

ISBN: 978-1-250-20720-3

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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