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BULLIES AND PEEPS

A thoughtful and entertaining look at both sides of the bullying dynamic.

Awards & Accolades

Our Verdict

  • Our Verdict
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Two girls struggle with rivalries and self-acceptance in this debut middle-grade novel.

Even before the school year begins, fifth grader Hannah Hardy has been plotting revenge against her classmate Meg Greene for a pointed remark she made last spring break. Hannah also looks down on Meg for her messy hair and unfashionable clothes. Hannah’s goal is to make Meg “sad and lonely” by getting her friend Alexis Martinez to drop her through the tempting prospect of entry into the bully’s popular group. Hannah’s scheme works, but that’s not enough when Meg annoys her further on the first day of school by noticing geese nesting in the courtyard. The school makes the area off-limits, foiling Hannah’s plans to sit on the courtyard’s benches at recess. Hannah steps up her bullying; she calls Meg “Goose Girl,” a name that catches on. But Hannah doesn’t have things all her own way. First, classmate Jack Eddy defends Meg, and teachers help her. Hannah gets in trouble for her behavior, and Meg rescues a gosling that she names Garrett. To Hannah’s disgust, Meg starts becoming more popular than she is. After a showdown, both girls come to recognize that they have opportunities for self-improvement. In his book, Suhre uses alternating point-of-view chapters, each with an authentic voice, to give insights into both the bully’s and the victim’s perspectives. For example, Meg comes to admit that not brushing her hair or wearing clean clothes “made me a bigger target.” Hannah, it develops, has several reasons for her behavior and has some admirable gifts as well. Realistically, the girls aren’t meant to be best pals, but a mature detente is possible. In addition, the goose family provides a nice metaphor for growing up, with fledglings learning to spread their wings.

A thoughtful and entertaining look at both sides of the bullying dynamic.

Pub Date: Nov. 27, 2020

ISBN: 978-1-73559-870-3

Page Count: 172

Publisher: Self

Review Posted Online: Feb. 3, 2021

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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