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DEAD DRUNK

A fine murder mystery, in the style of Agatha Christie, with a hawk-eyed protagonist and bevy of suspects.

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In Ayer’s (Tales of Chinkapin Creek, Volume II, 2012, etc.) mystery novel, the accidental death of an affluent alcoholic may, in fact, be a simple case of murder.

It’s the first party of the summer in French Haven, Maine, at George Wollaston’s home, and many of the guests are inebriated. Afterward, caterer Richard Grassie finds George dead from an apparent fall down the backyard steps. It’s initially viewed as an unfortunate accident; George had a similar stumble just last year. But it turns out that there’s no shortage of people who wanted to see him dead—including his wife, Margaret, who blames him for their son’s suicide, and his teenage daughter, Angie, whom he’d humiliated by loudly disapproving of her attire at the party. When cops find evidence that George may have been drugged, nearly everyone at the party becomes a suspect. It’s up to amateur sleuth Richard, along with police chief Eliot Perham and Detective Le Bel, to solve the murder. Richard is initially afraid he might forget details about that night, so he writes down everything he can remember for the police; it’s a plot point that functions superbly, as it provides a logical reason for him to work with Chief Eliot. It also inserts some drama into the story, as his notes also cause police to question his friend and co-worker Flora. Fans of traditional whodunits will be delighted with this tale, as it exuberantly follows many genre conventions, including suspects who may not be murderers but definitely have secrets to hide. Ayer sets the mystery in the 1980s, which adds to its classic mystery appeal, as there’s no modern technology in sight. The story’s most remarkable element, however, is the way it tackles the serious issue of alcoholism. George’s addiction, for example, has devastated his family, and Richard’s own father was also a heavy drinker. Alcohol even has detrimental consequences for the murder case, as one guest’s intoxication makes her an unreliable witness.

A fine murder mystery, in the style of Agatha Christie, with a hawk-eyed protagonist and bevy of suspects.

Pub Date: April 17, 2014

ISBN: 978-1484980675

Page Count: 272

Publisher: CreateSpace

Review Posted Online: May 30, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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