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THE DEATH OF HITLER

THE FINAL WORD

The new evidence presented here makes this a must-read for students of World War II.

The story of how Brisard and Parshina were allowed into Russian archives is as compelling as the evidence of Hitler’s death they were shown.

Admittance to the hallowed State Archives of the Russian Federation was primarily achieved by the fame of the Russian-American Parshina. Her major achievement—the last interview with Stalin’s favorite daughter, Svetlana, who was hiding out in a hospice in the United States—made her a household name in Russia. Parshina’s understanding of the complex wheels of the bureaucratic Russian machine helped the authors gain access to the secret, sensitive, and complex files. Throughout their adventure in the bowels of Russian secrecy, Brisard’s French identity elicited hesitation, but Parshina’s quick thinking and wit always seemed to alleviate the situation. Meetings were postponed, delayed, and cancelled during their quest, which ran from early 2016 to late 2017. Their first meeting was with the director of the archives. During that meeting, they were shown the skull remains said to be Hitler’s. Along with that, there were some blood-stained table legs, photos, and documents from April 1945, which Brisard was allowed to photograph. The next step was to translate the documents, including memos written to Stalin regarding the discovery of Hitler’s bunker and interviews with prisoners. The ever paranoid Russians spread information among three separate services, all of which hated and distrusted each other. The authors’ perseverance paid off, as they eventually succeeded with all three and got permission for a forensic scientist to examine the remains. Alternating with the story of finding the documents, they reconstruct the tale of the last days in Berlin. Ultimately, the evidence shows that Hitler died in a bunker from a self-inflicted bullet wound; he did not escape. There are still questions unanswered, and who knows when they might be allowed to be asked.

The new evidence presented here makes this a must-read for students of World War II.

Pub Date: Sept. 4, 2018

ISBN: 978-0-306-92258-9

Page Count: 336

Publisher: Da Capo

Review Posted Online: Aug. 28, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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