by Jean Craighead George illustrated by Don Bolognese ‧ RELEASE DATE: Feb. 18, 1971
Fundamental, and fertile per se, is the idea of a single rock as a micro-environment: threaded through, in effect supplying a plot line, is the compulsive search of a mole cricket for another of his kind — a search that climaxes, after many creatures have been bypassed, in a primal outcry ("He crackled his loneliness. He crackled his whereabouts. He crackled his need. . .") and an awesome response: one after another flies up, drops down, gathering "as mole crickets do, not to mate, not to eat, but for reasons no one knows. Solitary creatures all the days of their lives, each leaves his earthen home on one festive night and rushes together with other mole crickets to dance, crackle and touch." An extraordinary interlude, upon a stone or anywhere — but on and around the stone there is a problem in the failure of the illustrations to depict clearly what is detailed in the text. For the artist had an idea too, of emphasizing "the unity of the microcosm" by painting the stone and its inhabitants as a whole, then actually enlarging the relevant sectors to accompany the story. Seen whole, the stone pulsates: seen separately, forms may be indistinguishable. It seems a stunt, especially for the young child who'll have trouble seeing the relationship of the parts to the whole (the whole being, remember, only 6fl x 7fl). Nonetheless and not the least, there is the mole cricket's plaintive crackling.
Pub Date: Feb. 18, 1971
ISBN: 0690055323
Page Count: 56
Publisher: T.Y. Crowell
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Feb. 1, 1971
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by Jean Craighead George with Luke George & Twig George ; illustrated by Wendell Minor
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Tom Fletcher ; illustrated by Greg Abbott ‧ RELEASE DATE: Sept. 5, 2017
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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