by Jean Craighead George & illustrated by Wendell Minor ‧ RELEASE DATE: Sept. 30, 1994
This sequel to 1973 Newbery Medal-winning Julie of the Wolves continues the story of Julie Edwards Miyax Kapugen, the girl who traveled across the tundra with her adoptive wolf pack. Miyax is now living in Kangik village with her father, Kapugen, and his gussak (white) wife, Ellen. Although initially uncomfortable with her new stepmother, Miyax comes to trust and—after they spend several days together in a makeshift shelter during a raging snowstorm- -love her. Peter, a Siberian Eskimo who was adopted by a couple in Kangik, has made his intentions toward Miyax known, intentions that Miyax, nearly 15, finds very pleasant. She forgives her father for killing Amaroq, her wolf leader, and tries to understand the desperation that forced him to do it. The one shadow that looms over Miyax is the knowledge that Kapugen will not hesitate to shoot more of her beloved wolves if they again threaten the uminmaks, or musk oxen, that he is raising as part of the village's cooperative industry. Miyax goes again to the wolves to lead them away from the oxen and Kapugen. But they return, and their fate depends on whether Miyax can prove to her father what he once knew but seems to have forgotten: that Eskimos and animals must coexist as friends. Interesting Eskimo village lore, and more lupine detail, but the unifying theme here—Miyax saving the wolves—is not nearly as arresting as the original. (Fiction. 10+)
Pub Date: Sept. 30, 1994
ISBN: 0-06-023528-4
Page Count: 240
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
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by Jean Craighead George with Luke George & Twig George ; illustrated by Wendell Minor
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by Jean Craighead George ; illustrated by Wendell Minor
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by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Richard Peck
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by Richard Peck ; illustrated by Kelly Murphy
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by Richard Peck illustrated by Kelly Murphy
by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Andrew Clements ; illustrated by Brian Selznick
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