In this story, “first told in Julie’s Wolf Pack [1997],” a little Eskimo boy is given a wolf’s name: Amaroz, after the leader of the wolf pack that had saved his lost and starving older sister. “The wolf pack’s noble black leader had shared his family’s food with her.” One day his sister Julie comes home with two wolf cubs that are sick and hungry. Amaroz loves and cares for one of the cubs and names him Nutik. Julie warns her brother: “ . . . do not come to love this wolf pup. I have promised the wolves we will return the pups when they are fat and well.” But Amaroz does fall in love with the cub. The two become inseparable, and when the cub is grown and it is time to return to the wolves, Amaroz first tries to hide him, then reluctantly lets him go. Amaroz returns home, “His heart broken after all.” But then, Amaroz finds the wolf cub has returned to him to be part of the human family, forsaking the wolves. Rand traveled to Barrow, Alaska, to capture the people and landscapes in the story in watercolor and pencil. His pictures of Nutik are, of course, dreamy, and his focus on the boy and wolf help to indicate the isolation of the terrain. One interesting technique is a wash across the top of many of the pictures, which serves as a link between scenes and when in red indicates the 24-hour day. Night scenes of the dancing wolves, snow, and stars are particularly effective. As a young introduction to the Julie stories, this has great appeal, but it stands alone as a heartwarming story of a boy and his dog (or, in this case, his wolf). (Picture book. 6-8)
Pub Date: Feb. 28, 2001
ISBN: 0-06-028164-2
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Young readers will clamor to ride along.
Like an ocean-going “Lion and the Mouse,” a humpback whale and a snail “with an itchy foot” help each other out in this cheery travelogue.
Responding to a plaintive “Ride wanted around the world,” scrawled in slime on a coastal rock, whale picks up snail, then sails off to visit waters tropical and polar, stormy and serene before inadvertently beaching himself. Off hustles the snail, to spur a nearby community to action with another slimy message: “SAVE THE WHALE.” Donaldson’s rhyme, though not cumulative, sounds like “The house that Jack built”—“This is the tide coming into the bay, / And these are the villagers shouting, ‘HOORAY!’ / As the whale and the snail travel safely away. . . .” Looking in turn hopeful, delighted, anxious, awed, and determined, Scheffler’s snail, though tiny next to her gargantuan companion, steals the show in each picturesque seascape—and upon returning home, provides so enticing an account of her adventures that her fellow mollusks all climb on board the whale’s tail for a repeat voyage.
Young readers will clamor to ride along. (Picture book. 6-8)Pub Date: March 1, 2004
ISBN: 0-8037-2922-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2004
An important reminder that, in the quest for friendship, who you truly are is more than enough.
Ivan, a young Black boy with a big, beautiful Afro, is such a skilled street skater that his friends have nicknamed him Epic.
When he and his family move to a new inner-city neighborhood, for the first time he finds himself without a clique to cheer him on or learn new skating stunts from. “You never landed a new trick on the first try,” his dad reminds him. “Keep an open mind, and you’ll meet new friends.” In an attempt to fit in with the neighborhood kids, Epic tries his hand at various other sports without success. Seeing his discouragement, his parents suggest that he skate down to the bodega for a treat. On his way there, Epic performs a scintillating series of skateboarding maneuvers, unaware that several kids of various ages are observing him with great interest. Only when he arrives at the bodega does he realize that he’s unwittingly found himself a new skating crew. Morrison’s upbeat narrative slides along smoothly, mirroring the energy and panache of its protagonist, and at times slips comfortably into African American Vernacular English. Skateboarding terminology is scattered liberally throughout the text, but readers unfamiliar with the jargon will feel the lack of a glossary. Morrison's illustrations—rendered in oil with their trademark graffiti-inspired, urban mannerist style—use interesting perspectives, silhouetting, and continuous narration to create a free-wheeling sense of Epic’s, well, epicness. Most characters are Black; a few illustrations include diverse representation.
An important reminder that, in the quest for friendship, who you truly are is more than enough. (Picture book. 6-8)Pub Date: April 19, 2022
ISBN: 978-1-5476-0592-7
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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